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      <title>Frame of Mind: Fresh Loaf, Creative Loafing Atlanta</title>
      
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      <managingEditor>atlonline@cln.com (Creative Loafing Atlanta Editor)</managingEditor>
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      <pubDate>Tue, 21 May 2013 00:00:01 -0400</pubDate>
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          <title>Frame of Mind: Fresh Loaf, Creative Loafing Atlanta</title>
          <url>http://clatl.com/binary/f715/cl-logo-new.png</url>
          <description>Creative Loafing is the best source for events in Atlanta, Atlanta Restaurants, Atlanta concerts and shows, Atlanta Visual Arts reviews, Atlanta news and opinion.</description>
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        <item>
    <title>Where did you watch &#39;Django Unchained&#39;?</title>
    <link>http://clatl.com/freshloaf/archives/2013/01/08/where-did-you-watch-django-unchained</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2013/01/08/where-did-you-watch-django-unchained</guid>

    
    
      <dc:creator>Rodney Carmichael</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/7266798/0510/2.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;For those who are still talking about it (and many are), this is the one question framing all of the post-dialogue about Quentin Tarantino&#39;s film. And in this case, the &quot;where&quot; in &quot;Where did you watch &lt;em&gt;Django Unchained&lt;/em&gt;?&quot; is not just an issue of geography but demography, too.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2013/01/08/where-did-you-watch-django-unchained&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 08 Jan 2013 17:15:00 -0500</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
  </item>
      
        <item>
    <title>Has the recession been good for artists?</title>
    <link>http://clatl.com/freshloaf/archives/2011/02/03/has-the-recession-been-good-for-artists</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2011/02/03/has-the-recession-been-good-for-artists</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://clatl.com/imager/b/toc/2750165/8519/1277234371-dsc_0072T.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;Recession? What recession?&lt;/p&gt;
&lt;p&gt;According to conventional wisdom, Atlanta&#39;s arts scene should be all but dead.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2011/02/03/has-the-recession-been-good-for-artists&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 03 Feb 2011 14:40:00 -0500</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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        <item>
    <title>Art criticism must die</title>
    <link>http://clatl.com/freshloaf/archives/2011/01/18/art-criticism-must-die</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2011/01/18/art-criticism-must-die</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/2669747/63e1/1294787438-atlantanT.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;For 15 years, art critic Felicia Feaster was &lt;em&gt;the&lt;/em&gt; voice of visual art criticism at &lt;em&gt;Creative Loafing&lt;/em&gt;. For many she was &lt;em&gt;the&lt;/em&gt; voice of visual art criticism in Atlanta.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2011/01/18/art-criticism-must-die&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 18 Jan 2011 04:00:00 -0500</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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        <item>
    <title>Self-censorship doesn&#39;t allow for public discourse</title>
    <link>http://clatl.com/freshloaf/archives/2011/01/04/self-censorship-doesnt-allow-for-public-discourse</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2011/01/04/self-censorship-doesnt-allow-for-public-discourse</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://clatl.com/imager/b/toc/2605249/a91f/1290554261-nut_sack_hellokittyT.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;When Gary Black, Georgia&#39;s new commissioner of agriculture, takes office Jan. 10, one of his first orders of business will be to chuck art history out the window. That&#39;ll be the upshot if he follows through with his plan to banish several George Beattie murals made in 1956 from the Department of Agriculture building.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2011/01/04/self-censorship-doesnt-allow-for-public-discourse&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 04 Jan 2011 12:00:00 -0500</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
  </item>
      
        <item>
    <title>Public art helps jolt Atlanta&#39;s street life out of its zombified stupor</title>
    <link>http://clatl.com/freshloaf/archives/2010/12/16/public-art-helps-jolt-atlantas-street-life-out-of-its-zombified-stupor</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2010/12/16/public-art-helps-jolt-atlantas-street-life-out-of-its-zombified-stupor</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://clatl.com/imager/b/toc/2510082/d864/image_gallery1-01.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;As far as Atlanta&#39;s street life goes, it&#39;s barely alive. &lt;/p&gt;
&lt;p&gt;No wonder the producers of the AMC zombie drama &quot;The Walking Dead&quot; chose Atlanta as the setting for a post-apocalyptic dystopia where the only people out in public are either lifeless monsters or heavily armed survivalists.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/12/16/public-art-helps-jolt-atlantas-street-life-out-of-its-zombified-stupor&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 16 Dec 2010 09:00:00 -0500</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
  </item>
      
        <item>
    <title>The $50,000 Hudgens Prize should be making bigger art-world ripples</title>
    <link>http://clatl.com/freshloaf/archives/2010/11/01/the-50000-hudgens-prize-should-be-making-bigger-art-world-ripples</link>
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      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/2278277/d1d7/1288384670-cinque-hicks-9383.jpg&quot; width=&quot;75&quot; height=&quot;113&quot; /&gt;
        &lt;p&gt;If you&#39;re active in the intown Atlanta art scene, there&#39;s a good chance you&#39;ve never heard of the &lt;a href=&quot;http://thehudgens.org&quot;&gt;Hudgens Center for the Arts&lt;/a&gt;. And even if you have, odds are you&#39;ve never been there.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/11/01/the-50000-hudgens-prize-should-be-making-bigger-art-world-ripples&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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      http://clatl.com/freshloaf/archives/2010/11/01/the-50000-hudgens-prize-should-be-making-bigger-art-world-ripples?show=comments#readerComments
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    <pubDate>Mon, 01 Nov 2010 09:00:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
  </item>
      
        <item>
    <title>Castleberry Point sets an example for owners of vacant spaces</title>
    <link>http://clatl.com/freshloaf/archives/2010/10/04/castleberry-point-sets-an-example-for-owners-of-vacant-spaces</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2010/10/04/castleberry-point-sets-an-example-for-owners-of-vacant-spaces</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://clatl.com/imager/b/toc/2174894/f958/binary-viewer.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;In 2009, Atlanta passed a milestone that few within the arts community paid attention to: 2009 was the year Atlanta logged a higher rental property vacancy rate than Detroit. &lt;i&gt;Detroit!&lt;/i&gt; That&#x2019;s according to the U.S. census bureau, which counts up all the properties that could be rented but aren&#x2019;t. &lt;/p&gt;
&lt;p&gt;Sure, everybody knows about Detroit&#x2019;s legendary ghost towns and derelict properties, which &#x2014; being uninhabitable &#x2014; don&#x2019;t get calculated into census data at all.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/10/04/castleberry-point-sets-an-example-for-owners-of-vacant-spaces&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 04 Oct 2010 09:24:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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    <title>Lack of diversity in CL&#39;s &#39;Artists to Watch&#39; warrants concern</title>
    <link>http://clatl.com/freshloaf/archives/2010/09/14/lack-of-diversity-in-cls-artists-to-watch-warrants-concern</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2010/09/14/lack-of-diversity-in-cls-artists-to-watch-warrants-concern</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/2096924/ffb7/CinqueTEASE.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;On Sept. 2, readers picked up an issue of this newspaper that &lt;a href=&quot;http://clatl.com/atlanta/kevin-gillese-brings-his-rapid-fire-wit-to-dads-garage/Content?oid=2056583 &quot;&gt;profiled eight artists&lt;/a&gt; in various disciplines we considered worth drawing readers&#39; attention to. Also known as the fall arts preview, &lt;em&gt;CL&lt;/em&gt;&#39;s profiles included Flux Projects maven &lt;a href=&quot;http://clatl.com/atlanta/anne-dennington-energizes-the-public-art-scene-with-flux-projects/Content?oid=2056757&quot;&gt;Anne Dennington&lt;/a&gt;, painter &lt;a href=&quot;http://clatl.com/atlanta/ann-marie-manker-paints-bright-fantasies-of-dark-times/Content?oid=2056590&quot;&gt;Ann-Marie Manker&lt;/a&gt;, and my own contribution, musician &lt;a href=&quot;http://clatl.com/atlanta/jason-freeman-brings-punk-rocks-boundary-busting-ideas-to-classical-music/Content?oid=2056749&quot;&gt;Jason Freeman&lt;/a&gt;.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/09/14/lack-of-diversity-in-cls-artists-to-watch-warrants-concern&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 14 Sep 2010 09:00:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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    <title>Artists should embrace Atlanta&#39;s open playing field</title>
    <link>http://clatl.com/freshloaf/archives/2010/09/02/artists-should-embrace-atlantas-open-playing-field</link>
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      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/2062230/6cd6/CinqueTEASE.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;&lt;p&gt;In 1991, the erstwhile Atlanta College of Art unleashed a pair of game-changing artists into the wider art world: painter and sculptor &lt;a href=&quot;http://www.solomonprojects.com/artistpage/bailey/index.html&quot;&gt;Radcliffe Bailey&lt;/a&gt; and printmaker &lt;a href=&quot;http://learn.walkerart.org/karawalker&quot;&gt;Kara Walker&lt;/a&gt;. &lt;/p&gt;&lt;/p&gt;
&lt;p&gt;&lt;p&gt;It quickly became a tale of two artists: Both received significant critical attention from the local arts press.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/09/02/artists-should-embrace-atlantas-open-playing-field&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Thu, 02 Sep 2010 15:30:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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    <title>Atlanta art community&#39;s generation gap</title>
    <link>http://clatl.com/freshloaf/archives/2010/08/23/atlanta-art-communitys-generation-gap</link>
    <guid isPermaLink="true">http://clatl.com/freshloaf/archives/2010/08/23/atlanta-art-communitys-generation-gap</guid>

    
    
      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/2013011/ce1a/Cinque-Hicks-9383T.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;&lt;p&gt;At last month&#39;s &lt;a href=&quot;http://clatl.com/culturesurfing/archives/2010/07/30/creative-organizations-gather-once-again-this-saturday&quot;&gt;Gather Atlanta&lt;/a&gt;, an annual conference for local emerging artists and organizations, someone in the crowd announced he intended to disturb the room. &lt;/p&gt;&lt;/p&gt;
&lt;p&gt;&lt;p&gt;It was Lionel Flax, general manager of Sam Flax art supplies, speaking up from the standing-room only audience of 250 during a Q&amp;A session on &quot;Art and the Public Sphere.&quot;&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/08/23/atlanta-art-communitys-generation-gap&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 23 Aug 2010 15:00:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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    <title>GCA crisis reveals deeper systemic issues</title>
    <link>http://clatl.com/freshloaf/archives/2010/08/09/gca-crisis-reveals-deeper-systemic-issues</link>
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      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/1972662/f2c3/Cinque-Hicks-9383T.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;Last April, hundreds of art lovers armed with well-designed protest signs and a lifetime supply of face paint swarmed the steps of the Gold Dome. It was a stirring sight.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/08/09/gca-crisis-reveals-deeper-systemic-issues&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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          <category>Frame of Mind</category>
        
      
    
    

    
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    <pubDate>Mon, 09 Aug 2010 11:27:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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    <title>National Black Arts Festival&#39;s unfinished business</title>
    <link>http://clatl.com/freshloaf/archives/2010/07/26/national-black-arts-festivals-unfinished-business</link>
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      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/1827149/8caf/arts_cover1-1_10.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;It may have been too much to hope that this year&#x2019;s National Black Arts Festival visual arts calendar would be as meaty as 2008&#x2019;s. That year, the &lt;a href=&quot;http://clatl.com/atlanta/visual-art-at-the-nbaf/Content?oid=1274181&quot;&gt;festival joined SCAD-Atlanta&lt;/a&gt; in commissioning a film and a major new body of photographs by internationally renowned photographer Carrie Mae Weems. The people-friendly Artists&#x2019; Market held court in the Georgia World Congress Center, and Embrace, the gallery-oriented international fine art fair, occupied all 24,000 square feet of Mason Murer&#x2019;s Buckhead real estate.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/07/26/national-black-arts-festivals-unfinished-business&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Mon, 26 Jul 2010 10:47:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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        <item>
    <title>Immigration and the arts</title>
    <link>http://clatl.com/freshloaf/archives/2010/07/13/immigration-and-the-arts</link>
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      <dc:creator>Cinque Hicks</dc:creator>
    

    
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        &lt;img src=&quot;http://clatl.com/imager/b/toc/1682329/8dcf/1277412971-prom2.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;One of the Beltline&#x2019;s recent temporary artworks consisted of a thin, brown-skinned man who stripped himself naked, painted his body gold and inserted himself into a crevice in the hillside. There he remained until sunrise, literally becoming embedded in the Georgia earth in a performance both haunting and moving.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/07/13/immigration-and-the-arts&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Tue, 13 Jul 2010 12:59:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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    <title>Bravo&#39;s &#39;Work of Art&#39; isn&#39;t as bad as you think</title>
    <link>http://clatl.com/freshloaf/archives/2010/06/30/bravos-work-of-art-isnt-as-bad-as-you-think</link>
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      <dc:creator>Cinque Hicks</dc:creator>
    

    
      <description>
        
        &lt;img src=&quot;http://clatl.com/imager/b/toc/1571496/fdeb/arts_opinion3-1_09T.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        &lt;p&gt;I&#39;m told the general public is more stupid than ever about the arts. &lt;/p&gt;
&lt;p&gt;Emory University&#39;s Center for Creativity and Arts even hosted a citywide arts criticism forum last March to give all of Atlanta&#39;s arts writers an opportunity to see who among us could wag our finger the hardest about what dunces we&#39;ve all become.&#x2026;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/freshloaf/archives/2010/06/30/bravos-work-of-art-isnt-as-bad-as-you-think&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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    <pubDate>Wed, 30 Jun 2010 10:00:00 -0400</pubDate>
    <source url="http://clatl.com">Creative Loafing Atlanta</source>
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