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ATONEMENT 4 stars (R) An intelligent but confused adolescent girl (Saoirse Ronan) tells a lie that separates two young lovers (Keira Knightley and James McAvoy). Joe Wright crafts an insightful adaptation of Ian McEwan's acclaimed novel that begins with an intimate look at the passions and frustrations at an English country estate, and expands to include the destruction of World War II. Playing the same character at different ages, Ronan, Romola Garai and Vanessa Redgrave offer a devastating portrayal of guilt and the inability of words to undue their power to harm. -- Holman
AUGUST RUSH (PG) A fairy tale-esque drama about an orphaned musical prodigy who uses his talents to find his absentee parents. Kristen Sheridan (Disco Pigs) directs.
AWAKE (R) Hayden Christensen plays a man who awakens during open-heart surgery to find the anesthesia has left him aware, but paralyzed. Joby Harold directs.
BEE MOVIE 2 stars (PG) After discovering life outside the hive and meeting a human florist (Renee Zellweger), a young bee (Jerry Seinfeld) sues the human race for the honey industry's exploitative practices. The closer Bee Movie hovers to Seinfeld's appealing brand of observational humor, the bigger laughs it finds, but the script flits in so many different directions, we can't help but remember that story wasn't always the strong suit of Seinfeld's eponymous "show about nothing." -- Holman
BEFORE THE DEVIL KNOWS YOU'RE DEAD 4 stars (R) Octogenarian director Sidney Lumet takes the hipster genre of choice -- the bloody, chronologically scrambled heist movie -- and turns it into a weighty family tragedy that's still nastily entertaining. Phillip Seymour Hoffman (in one of the year's best performances) and Ethan Hawke play desperate brothers whose ill-fated plan to rob their own parents takes on the dimensions of Cain, Abel and Oedipus. -- Holman
BELLA 2 stars (PG-13) A haunted chef (Eduardo Verástegui) and a pregnant waitress (Tammy Blanchard) leave their jobs at a trendy restaurant to spend a romantic, soul-baring day in Manhattan. This heartfelt but overly sentimental film from Alejandro Gomez Monteverde celebrates food, family and New York, but the leading actors' performances are a little blank and the ending too convenient by half. Manny Perez steals the film as satisfyingly hateful restaurateur and petty tyrant.-- Holman
BEOWULF 4 stars (PG-13) The Anglo-Saxon epic poem of strapping Beowulf (voiced by Ray Winstone) and his monstrous adversaries gets brought into the 21st century with director Robert Zemeckis' "performance-capture" animation techniques (a form that's still a work in progress, but has improved significantly since The Polar Express). For all the CGI monsters, including misshapen ogre Grendel, the real attraction is the revisionist screenplay, which reimagines the heroic tale into a tragedy about the corruption of power. Definitely see it in digital 3-D, which makes up for the rubbery quality of some of the human characters. -- Holman
THE BOURNE ULTIMATUM 3 stars (PG-13) In the third Bourne movie, amnesiac superspy Jason Bourne (Matt Damon) crosses the globe to reclaim his memory and outwit his former CIA spy masters (including David Strathairn). Paul Greengrass also directed the trilogy's previous entry and again masterfully employs shaky camera work and soundtrack percussion to raise the audience's pulse rate; he could make doing laundry unbearably exciting. Nevertheless, given the identical plots (and impassive acting from Julia Stiles) in all three, it's no wonder Bourne can't remember anything. -- Holman
THE COMEBACKS (PG-13) In Tom Brady's (The Hot Chick) spoof on classic sports films Rocky, Field of Dreams and the like, unlucky coach Champ Fields (David Koechner) is hired to coach a talentless and deranged college football team.
CONTROL 3 stars (R) An absolutely beautiful, stylish black-and-white ode to the lead singer of Joy Division, Ian Curtis (Sam Riley), who killed himself in 1980 at age 23. Riley is superb and absolutely charismatic in his onstage performances and Samantha Morton as his bedraggled, wretchedly love-starved wife does a wonderful job of keeping this from being the one-note story of a suffocated, tortured artist. There were clearly other people hurt by Curtis' demons. But for all its exquisite evocation of the dire mood of '70s Manchester and Joy Division's music, the film lacks an emotional depth to match.-- Feaster
THE DARJEELING LIMITED 3 stars (R) Three brothers (Owen Wilson, Adrien Brody and Jason Schwartzman) embark on a so-called "spiritual journey" across India by train, but struggle against their petty habits and sibling rivalry. Rushmore director Wes Anderson expands his artful but precious visual style through the bustling, shifting Indian landscape, but still keeps the audience at a distance from the characters. -- Holman
ELIZABETH: THE GOLDEN AGE (PG-13) Cate Blanchett reprises her Oscar-nominated role as Queen Elizabeth I in director Shekhar Kapur's sequel, which finds the virgin queen encountering such royal headaches as Mary Stuart and the Spanish Armada.
This movie is not the best writing in Hollywood, but for someone who comes from…
Curt went 16-7 if anyone cares...no...no one....oh well...
It was a very good movie.
DOPE looks interesting.
Split screen has worked brilliantly in movies such as "blow out" and "rules of attraction."