Short subjectives 

Capsule reviews of films by CL critics

Page 3 of 3

THE GIFT (R) Where do I go to return The Gift? Cate Blanchett plays a small town medium who gets embroiled in violence and sleazy behavior in a script, co-written by Billy Bob Thornton, that plays like "Peyton Place" with ESP. Director Sam Raimi injects a few shocks, but the film proves too over-the-top to be taken seriously, and with too many classy performers (including Keanu Reeves and Hilary Swank) for camp value. -- CH

THE PLEDGE (R) Less than the sum of its parts, which include odd, beautifully photographed locations and small appearances by big actors, this serious version of Fargo, adapted from a Friedrich Durrenmatt novel, was directed somberly by Sean Penn as an American art film. Jack Nicholson plays Jerry Black, a Reno police detective whose retirement party is interrupted by the rape/murder of an eight-year-old girl. Jerry obsessively structures his life around solving this and related crimes, with ironic results. The Euro-pacing rules out mainstream audiences; others may be mildly disappointed, but Pledge is no lemon. -- SW

SAVE THE LAST DANCE (PG-13) 1/2 A teen film with a little more on its mind than most, this MTV production manages to address some hot-button topics, like interracial dating, while offering an appealing cast of actors as high school students who get down nightly at an after-hours hip-hop club. Julia Stiles is a tragedy-paralyzed ballerina whose mother's death sends her to live with her slacker dad in inner-city Chicago. The tragedy puts her dreams of Juilliard on hold until she hooks up with Sean Patrick Thomas, a Georgetown-bound boy from the hood who helps her put the bounce back in her step with after school hip-hop lessons in this harmless, at times even thoughtful, teen romance. -- FF

SNATCH (R) As in his debut film Lock, Stock and Two Smoking Barrels, Guy Ritchie doesn't construct plots so much as geometry exercises, setting groups of heavily-armed cockney hoodlums and hitmen in motion and seeing how often they collide. Nominally concerned with fixed boxing matches and the scramble for a stolen diamond, Snatch offers more of the same, with better jokes, a broader canvas and Brad Pitt stealing the show as a gypsy boxer whose accent is hilariously impenetrable. -- CH

STATE AND MAIN (R) 1/2 Such enjoyable actors as Alec Baldwin, William H. Macy, Philip Seymour Hoffman and Sarah Jessica Parker put what bite they can into David Mamet's limp showbiz satire. In depicting the havoc wreaked by a film crew on a Vermont village, Mamet means to pay tribute to small-town Americana, but his town comes across as phony as a theme park attraction, and wife Rebecca Pidgeon is over her head as the story's romantic lead. -- CH

TRAFFIC (R) 1/2 A well-crafted, engrossing story of the drug war as it touches characters from Tijuana to Washington, D.C., from cops and politicians to teenagers and suburban wives, Steven Soderbergh's drama moves along at a ferocious clip. Even with its large cast of newcomers and Hollywood old-guarders, this psychological action film affirms Soderbergh's talent for making good, populist dramas that exceed the usual Hollywood standards. -- FF


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  • Re: Fresh air

    • Local band Manchester Orchestra, who provided the soundtrack, probably would have appreciated a shout-out.

    • on June 29, 2016
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