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AMELIE (R) A popular and critical hit in France, this not-to-be-missed sweet-as-pie, stylistic knockout is a dazzling live-action cartoon for grown-ups. The ultra-cute Audrey Tautou is a do-gooding sprite living in a magical Montmartre who dedicates herself to helping others. From Jean-Pierre Jeunet, the director of The City of Lost Children and Delicatessean. --FF
A BEAUTIFUL MIND 1/2 (PG-13) In an either bold or ignorant move, director Ron Howard may have made the first action-adventure film about schizophrenia. Russell Crowe stars in this story of real life Princeton mathematician John Nash who won the Nobel Peach Prize, but also suffered from mental illness. Howard allows emotional button-pushing to triumph over character development and insight in this earnest but flat entry in Hollywood's disability canon. --FF
BEAUTY AND THE BEAST (G) The only animated feature ever to be nominated for a Best Picture Academy Award -- and one of the best classic-style musicals of the past 20 years -- Disney's 1991 animated gem gets a polish to fit the scalle of a really, really big IMAX screen. Mall of Georgia IMAX Theater, I-85 at Buford Drive, Buford.
BEHIND ENEMY LINES 1/2 (PG-13) One-note ubiquity Owen Wilson, a head-scratching choice for Hollywood's latest flavor of the month, plays Chris Burnett, a pilot shot down over ravaged, corpse-strewn Bosnia, which the film treats with the sensitivity of a video game. Director John Moore makes his movie debut after helming zippy commercials, so expect lots of choppy splicing of scenes filmed in the grainy style popularized by Saving Private Ryan -- but made dull by the number of hacks who have shamelessly copied it. --Matt Brunson
BLACK KNIGHT (PG-13) Sort of "A South Central Homeboy in King Arthur's Court," Martin Lawrence goes medieval as a theme park employee zapped back to the 14th century. Lawrence gets mileage of okay jokes like his pseudonym "Sir Skywalker," but he'd do well to emulate Eddie Murphy and go for a quiet laugh every once in a while. Look for Atlanta actor Dikran Tulaine, who has few lines but plenty of screen time, as one of the rebels. --CH
THE BUSINESS OF STRANGERS 1/2 (R) This assured, sleek debut film from Columbia grad Patrick Stettner is far more than just a girlified retread of Neil LaBute's corporate melodrama In the Company of Men. Stockard Channing astonishes as a driven, steely post-menopausal executive who shares her grievances about work and a life sacrificed for the almighty surge of power with an underling (Julia Stiles), who goads her to take violent action. --FF
GOSFORD PARK (R) As close to a masterpiece as this year in movies has seen, Gosford Park invests a familiar upstairs-downstairs theme of the upper and servant classes of English country life with a degree of compassion and sensitivity that proves director Robert Altman has something human lurking beneath his patented misanthropy. --FF
HARRY POTTER AND THE SORCERER'S STONE (PG) The big screen version of J.K. Rowling's first Harry Potter book mostly enchants. Following the title character (Daniel Radcliffe) in his first year at a Hogwarts School of Witchcraft and Wizardry, the film has so many clever details and visual delights that they dwarf the supposed plot about sinister goings-on surrounding the titular stone. John Williams overdoes the "magical" music and Radcliffe underplays Harry's emotions, but the film has enough charms to make the already-planned sequels feel welcome. --CH
HOW HIGH (R) If you're a fan of rappers Redman and Method Man, or are simply nostalgic for the cinema of Cheech & Chong, you might want to sample this comedy about two stoners who get into Harvard thanks to an IQ-boosting supply of marijuana -- which quickly runs out. With Fred Willard as the chancellor.
IMAX Lost Worlds: Life in the Balance (Not Rated) Harrison Ford narrates an IMAX film exploration of the world's biological diversity, from the Poles to the Tropics, with an in-depth focus on the lush, remote plateaus of Venezuela.Through March 22. Majestic White Horses (NR) The pomp, history and legend of the famous Lipizzan horses of Austria and the Spanish Riding School of Vienna gets the really big screen treatment. Through May 23. Fernbank Museum of Natural History IMAX Theater, 767 Clifton Road. --Steve Warren
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