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THE ROCKY HORROR PICTURE SHOW (R) The cult classic of cult classics, the 1975 horror spoof follows an all-American couple (Susan Sarandon and Barry Bostwick) to the castle of Dr. Frank-N-Furter (Tim Curry), a drag-queen/mad scientist from another galaxy. It's all fun and games until Meatloaf gets killed. Dress as your favorite character and participate in this musical on acid. Fridays at midnight, Lefont Plaza Theatre, 1049 Ponce de Leon Ave., and Saturday at midnight at Blackwell Star Cinema, 3378 Canton Road, Marietta.
ALI (PG-13) Director Michael Mann focuses on a single, tumultuous decade in the life of Muhammed Ali, from his championship bout against Sonny Liston to his refusal of the U.S. draft to "the Rumble in the Jungle." The film's first hour, placing the prizefighter's life in the context of America's racial and religious unrest, is as stinging and nimble as the boxer himself. A bulked-up Will Smith captures Ali's trash-talking and, more surprisingly, his moments of silent resolve, but neither Smith nor Mann can keep the film's last hour from losing dramatic interest, meticulously re-creating a fight whose outcome we already know. --CH
AMELIE (R) A popular and critical hit in France, this not-to-be-missed sweet-as-pie, stylistic knockout is a dazzling live-action cartoon for grown-ups. The ultra-cute Audrey Tautou is a do-gooding sprite living in a magical Montmartre who dedicates herself to helping others. From Jean-Pierre Jeunet, the director of The City of Lost Children and Delicatessean. --FF
A BEAUTIFUL MIND 1/2 (PG-13) In an either bold or ignorant move, director Ron Howard may have made the first action-adventure film about schizophrenia. Russell Crowe stars in this story of real life Princeton mathematician John Nash who won the Nobel Peach Prize, but also suffered from mental illness. Howard allows emotional button-pushing to triumph over character development and insight in this earnest but flat entry in Hollywood's disability canon. --FF
BEAUTY AND THE BEAST (G) The only animated feature ever to be nominated for a Best Picture Academy Award -- and one of the best classic-style musicals of the past 20 years -- Disney's 1991 animated gem gets a polish to fit the scalle of a really, really big IMAX screen. Mall of Georgia IMAX Theater, I-85 at Buford Drive, Buford. --CH
BEHIND ENEMY LINES 1/2 (PG-13) One-note ubiquity Owen Wilson, a head-scratching choice for Hollywood's latest flavor of the month, plays Chris Burnett, a pilot shot down over ravaged, corpse-strewn Bosnia, which the film treats with the sensitivity of a video game. Director John Moore makes his movie debut after helming zippy commercials, so expect lots of choppy splicing of scenes filmed in the grainy style popularized by Saving Private Ryan -- but made dull by the number of hacks who have shamelessly copied it. --Matt Brunson
BLACK KNIGHT (PG-13) Sort of "A South Central Homeboy in King Arthur's Court," Martin Lawrence goes medieval as a theme park employee zapped back to the 14th century. Lawrence gets mileage of okay jokes like his pseudonym "Sir Skywalker," but he'd do well to emulate Eddie Murphy and go for a quiet laugh every once in a while. Look for Atlanta actor Dikran Tulaine, who has few lines but plenty of screen time, as one of the rebels. --CH
BROTHERHOOD OF THE WOLF (R) This French horror/action-adventure/martial-arts/romance/period piece puts more on its plate than it can digest, but provides a feast for movie fans. A naturalist and his Native-American sidekick investigate wolf attacks in the French countryside, encountering conniving noblemen and a tarot-reading courtesan (Malena's Monica Belucci). Convoluted, top-heavy and too long, the film still has thrilling fight scenes and piles on one voluptuous pleasure on top of another: Swordfights! Nudity! Monsters! Baroque decorations! --CH
THE BUSINESS OF STRANGERS 1/2 (R) This assured, sleek debut film from Columbia grad Patrick Stettner is far more than just a girlified retread of Neil LaBute's corporate melodrama In the Company of Men. Stockard Channing astonishes as a driven, steely post-menopausal executive who shares her grievances about work and a life sacrificed for the almighty surge of power with an underling (Julia Stiles), who goads her to take violent action. --FF
CHARLOTTE GRAY (PG-13) A well- intentioned but largely ineffective romance, this vehicle for Cate Blanchett stars the ubiquitous Aussie as a principled, patriotic Scotswoman who becomes a spy in Occupied France during WWII. While Australian director Gillian Armstrong may aspire to present a feminist heroine, the film's obsession with Charlotte's romantic entanglements makes this endeavor feel conventional. --FF
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