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THE MISSING (R) Director Ron Howard adds some Blair Witchy thrills to this Western with a story that's suspiciously similar to The Searchers. Cate Blanchett gives a fiercely effective performance as a frontier doctor who reluctantly accepts the aid of her estranged father (Tommy Lee Jones) when a demonic Native American witch kidnaps her daughter. Howard's all-too-conventional filmmaking can't clarify the muddled themes about white civilization vs. Native American mysticism, but The Missing doesn't lack for good acting and a few suspenseful scenes.--CH.
SHATTERED GLASS (PG-13) A gripping journalistic thriller with a goofy title, Shattered tells the story of the 24-year-old wunderkind New Republic reporter Stephen Glass who invented half of the stories he passed off as fact.Hayden Christensen delivers a believable performance as a world-class sniveler who used his boyish charms to cover his tracks. But the real thrills come from the film's willingness to heap the blame not on just one wayward cheater, but on an entire journalistic practice which rewards flashy, salacious, gonzo reportage and worries more about image than content.--Felicia Feaster
21 GRAMS (R) Mexican director Alejandro Gonzalez Inarritu's (Amores Perros) drama is an anguished meditation on the mess and guilt left behind when a tragedy unites three disparate strangers. A grieving drug addict (Naomi Watts), an ex-con turned Jesus freak (Benicio Del Toro) and a gravely ill man (Sean Penn) waiting for a heart transplant find their lives intersecting in a film that recalls the tapestried existential angst of Magnolia. The film features a genuinely tortured, magnetic turn by Del Toro, whose fascinating character should have had his own movie. 21 Grams is overburdened by its melodramatic meltdowns and actorly moments that spell out the traumas in far too broad gestures. There is far too much material here, and too many tangents to give the material the urgency it deserves.--FF