There are some things in this world that were simply made for each other. Peanut butter and jelly. Sonny and Cher (umm â¦). Optimus Prime and the Autobots. Celebrities and the paparazzi. Optimus Prime and the paparazzi. The Decemberists and the ASO.
Last Saturday night, amid the cries of a gradually filling Chastain Park Amphitheater, two of these great forces met head-to-head and fulfilled that natural bond. Indie-pop sensation the Decemberists and the classical sensation that is the Atlanta Symphony Orchestra joined forces, drawing together the two unique though complementary genres to create something exceptional.
The band appeared on stage promptly at 8 p.m., situating itself in front of the orchestra. And while I despised myself for being a cheap-ass and not opting for tickets where I might actually see something, the music began and all the self-deprecating inner dialogue dispersed.
The evening spanned the bandâs entire musical repertoire â from Castaways and Cutouts to The Crane Wife â each selection endowed with a fierce and vibrant energy, revealing aspects of the music that donât quite become noticeable until you hear the Decemberists play with a nationally renowned symphony.
And while every song played throughout the course of the evening was certainly memorable, the bandâs rendition of The Tain â a nearly 20-minute beautiful monster of an EP from 2005 â featured Jenny Conlee hacking down the keys of the organ and wailing with her dulcimer vocals while Colin Meloy retired to the drum set. And the orchestra behind, simply in vibrations with energy, lights ablaze and heads spinning, was nothing short of breathtaking.
Just on a personal note, Iâm going to say that if you werenât there you might want to castrate yourself.
Music aside, the showmanship of Meloy made the show all the better. From his feelings on snack crackers (âWheat Thins can solve a lot of problems. â¦ so many flavorsâ), to his wishing a 94-year-old man a happy birthday, Meloy created an atmosphere that welcomed everyone â regardless of their social class, style of dress or music preference.
This show offered fans the inner workings of the more classical aspects of the Decemberistsâ music, showing off the genius behind the orchestration. And it was brilliant.
3 people apparently love handing over an extra 40% in fees for nothing in return…
Dang. I thought they would name some actual headliners.
Forgot to mention that Iggy did a stellar show @ the Agora in the spring…
Their fees were onerous, to say the least. $16 per ticket for "convenience," and it's…
That poster is for the Iggy Pop show on March 11 1983 @ 688 club…
oh sweet: just who i was waiting to get announced!