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Monday, April 9, 2012

deadCAT delivers sociopathic serenades with weareinaCULT

deadCAT.jpg
Last week, Spanish label Young Latitudes released a new 4-song digital EP by deadCAT, titled weareinaCULT. For those who are unfamiliar, deadCAT is an offshoot of Atlanta weirdo rockers A Grimes, which made its presence known back in December 2011 with eatSOME — a brash and abstract collection of songs that showed Britt Teusink and Gage Gilmore breaking free of the schizophrenic gypsy form they’d established for themselves. This new incarnation brought a lot less howling, but it was no less creepy, complete with an anything goes kind of vibe going on. “Canadian Myst” takes the lead as it is just as much of a love song as it is an ominous sign of trouble brewing just beneath the surface. Take the lyrics, for example: “… When you see that mine eyes are blue and whether things are the right things to do, there’s a mask in the car. We won’t get far without our scars shining brightly. I think this might be the start.”

It’s the mask in the car that’s so troublesome here. In the context of the song it merely being nothing more than a shout out to fellow locals Lee Harvey Oswald’s infamous ski mask, or is it something kept on hand for more sinister purposes.

The rest of the EP unfolds as an inward journey of sorts. These four songs are abstract, both sonically and conceptually speaking, and there are no real guitars to be heard throughout most of these songs — save for one bit in the opening number, “Littlefeet,” which comes courtesy of Red Sea bassist Mick Mayer.

weareinaCULT channels some seriously dark thoughts into a few buoyant moments of mangled pop. Nothing could be more ominous here than the closing number, “Dr. Conspiracy’s Last Word,” in which Teusink sings, “Blue flowers in her hair if I dare ask what you mean. Games I don’t wanna play/If I ask to stay, don’t let me. Fame looking in her eyes, a name, it’s a part of older brothers.”

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