

Yesterday, Whitney Houston’s last recording was released (“Celebrate” feat. Jordin Sparks). And today, RCA Records released another single from the movie soundtrack. It's Houston's rendition of the classic gospel staple, "His Eye is On the Sparrow," which she also performs in the movie. It's one of those emotional church testimonials that's hard for young singers to deliver without making a vocal mess of things. But Houston keeps it old-school, backed by screeching organs and a full-blown choir at the climax.
Having released seven albums under the established name of "J. Tillman," Josh Tillman threw his hands up to the flailing project in 2010. Last year he subsequently made the daring (and what looked then to be dumb) choice to quit drumming for an itty bitty band from Seattle called Fleet Foxes. He went on a now-legendary trek in his beloved van, filled his body with drugs, wrote a novel as bearded traveling men tend to do, and finally came out of the midst of a debilitating depression with a newfound realization that he had never really said anything honest about himself in all seven of those albums.
So he did what few people in this world are able to do: He changed. He took his fear, turned it on its' head, and had some fun with it. These losses and events seem to have served as fuel to the fire in the resulting masterpiece Fear Fun. Given his penchant for playing with words (courtesy his appetite for multiple and conflicting lyric meanings) and toying with people (his drunken middle-of-the-night Twitter rants to Pitchfork are not to be missed), Father John Misty could be the next Bob Dylan or Jack White, no question. We hit Josh up and talked about his girlfriend turned dominatrix actress, why fear is not so important after all, and why everything that he says in this interview may one day be the foolish vanity of his past — and why he's not afraid of that, or really anything at all, anymore.
Father John Misty. With Har Mar Superstar, Damon Moon and the Whispering Drifters. $12. 8p.m. Tues., May 22. Masquerade, 695 North Avenue NE. 404-577-8178. http://www.masqueradeatlanta.com/
Nancy From Now On is a video in which you deal with a dominatrix in a hotel room, with her eventually cutting your hair and ending up together. How was the filming?
Father John Misty: That was a really intense one for me because I've recently kind of found this real love and companionship and empathy and mutual respect with this woman, Emma, who's in the video. The video is essentially her and I trying to explore issues of intimacy through the lens of what you might call a radical honesty, or something. It's actually a very innocent video. For me, if I want to make something about love, I don't want to fall back on the tropes or cliches of discussing love and intimacy in an artistic context because it's fucking just not me. That first scene, that really was just me and Emma getting a room at the chateau and saying "let's just fucking get weird". We're both into getting weird, and I wanted a hair cut, and I wanted her to do it. What you see on screen is shockingly this meta whirl wind.
And it really was paradoxically an innocent video. Considering the concept it could've been way less tasteful.
The music press is so goliath and shit. As far as press is concerned, you really don't get the benefit of the doubt that you're actually trying to do something meaningful, so what I ended up seeing was a bunch of "parties with a bunch of dominatraxes and then goes home with a different girl" and I'm like dude, it's the same girl the whole time you fucking dummie! Like, think about this for a fucking second! I like confronting people with shit like love but with all kinds of symbols that are not particularly precious. Is it possible to portray real understanding and intimacy between two people with mutilating images like domination?
How long have you and Emma been together?
Oh, I'm not going to divulge the intimacies of my life here! [Laughs]
[Laughs] What is she like?
Sure, Trip Freeman and Kory Calico write an awful lot about their exploits with women, on their own accord. But their lyrical style has always carried an unmistakable sense of refinement — they keep things subtle if not classy, even in the midst of full-on locker room talk. It's one of their more endearing qualities. “My Cologne” (or as the Bandcamp page has it listed, “Pussy My Cologne”), however, is a clear step down from their typically smooth and inventive word plays.

The newly reformed T.I. has been making a helluva case for the old badass T.I.
Remember "Love This Life," the single he dropped in April to put them hoes his female fans in check? Now he's back with a universal anthem titled "Like That," and it feels like another slick reminder to his fans — but mostly to himself:
"They want that super gutter ignorant/that new ghetto belligerent/authentic brick-flippin' dope boy trap nigga shit."
Hard to argue with that, at least where T.I. is concerned. It reminds me of something Killer Mike said in a recent CL interview when he talked about his music serving as an escape for listeners and likened it to that scene in Office Space where the white-collar white dude is on his gangsta shit, bumping Scarface on his way to work.
Killer Mike's stunning new album R.A.P. Music drops today (read our feature over here). I recently sat down with the Atlanta-based rapper at Graffiti's Swag Shop, the Southside barber shop he owns with his wife. Mike talked about the new album, working with El-P and the blowback surrounding some controversial comments. Read some choice excerpts below.
You’ve been outspoken in your advocacy of black entrepreneurship and community involvement. What does it mean to you to have this shop now?
Killer Mike: It’s like, you can have not a penny in your pocket, you can have on old clothes, [but if] you get a decent haircut your confidence just goes through the roof. And it’s a place where men can just be men. It’s hard to find man spots. When I was little I used to go to the barbershop with my grandpa, see him get shaved, and I always loved the atmosphere. I found [the shop] on Craigslist. I was in New York recording R.A.P. Music, and sight unseen, I [bought] it. It was a lot wrong with the shop when we came in (laughs). Since then, the old staff left, the new staff came, and they’ve just been great. I’m into the fact that barbershops provide cash options for young men trying to figure out what they gonna do with their life. My son’s 17 years old, he’s about to go to barber school while he’s prepping for college. I think that trades are important. I’m a college guy, so it’s a lot of days I regret I didn’t go get a trade. I had to get a bullshit job or two, you know?
It’s interesting to me, because you see a lot of rappers who buy restaurants or clubs and don’t seem that invested in it, really. You’re obviously really invested in this.
I’m invested in people for real. At base level, I’m just down with the people. So this is giving me a chance to interact with the people. People come in here, they tell me whether they like my records or they don’t. I just like my brothers. It’s really no other way to put it. I like brothers. Black men are great people. They have interesting conversations. I just wanted to create an environment that was first-class. And we’re growing toward where we wanna be. I’m not gonna be comfortable ’til brothers come in here like, “I gotta come in here weekly, I gotta get swagged up.”
People were talking about that clip of you talking to MTV, where you advocated NRA membership for African-Americans.

The 9369 pollen count spring days are gone and butterscotch yellow and carnation pink tulle dresses are about to be worn on prom nights all across this city. Did you know that June is the number one month in which Americans lose their virginity? It's true. It's also true that summer starts in three odd days for Atlanta colleges, not that any of us are counting.
But let's face it. The pollen is still being kind of a downer and the girls will mostly be channeling their inner Ke$ha with leopard print dresses and their inner Katy with electric blue satin ones. Hopefully CVS doesn't run out of glitter!
First world problems aside, Magic Wands, composed of husband-and-wife-to-be Chris and Dexy Valentine (does anyone else spy a fake last name?) just dropped their first record, Aloha Moon, on April 24. Well, aloha to you, too, Mr. and Mrs. Valentine. And welcome, ’cause you just made a slew of potential party hits that sound like a creamy swirl of 1983 and 2012 dream pop combined. They classify themselves not as lo-fi, not chillwave, but lovewave! And it fits. Second song "Teenage Love" [just listen OR right click on a PC or hit control and click 'save as' on a Mac to download the FREE MP3! Thanks diffuser.fm!] opens with the lyrics, "Meet me down by the soda machine/show me now what our love means/take my hand and sex me up/give me all your teenage love." And later Dexy sings: "Call me up on the telephone/late at night when you're all alone/this teenage love has got me stuck/come over so we can fuuuu-get about everything."
When Dexy sings "fuuuu" it sounds like she says "fuck," and then says "forget" too, almost as if she's hiding out in the corner of her room so daddy won't hear her mouth such a sinful word through the walls. Looks like they could be a potential crossover band too — the single "Black Magic" just played on last week's "Gossip Girl" and it was on one of last month's "Vampire Diaries" episodes as well. So to all you party monsters and prom whores, fuckget™ about everything and listen.
For this short stack of newer numbers, Cino teamed up with DJ Jon Doe to collab on some down and dirty cuts, courtesy of Alchemist.
“Jon Doe hit me off with the Alchemist project, The Alchemist Presents: Rapper's Best Friend 2: An Instrumental Series, he explains. Initially, I wasn't expecting much, but as I listened, I felt like I could represent my "Activity Crew" (DJ Pocket, Count Bass D, Hotsauce the MC, and Circa '94 Breats) very well by doing songs to some of the beats. That turned into a project complete with album artwork."
There’s a Soul Assassin remix of “Assassinated” at the tail end of the mixtape, and as a lyricist, Cino truly shines on the standout track, "the Mic." The whole thing is also an early look at what Doe and Cino (DoeCino) have in the works with their forthcoming EP, tentatively titled Stanky.
More coming soon.
Vocalist Paul Cantrell sings with the voice of a heavyhearted vampire; his voice rises over the bustling arrangements, slightly louder than the rest of the mix, as he ponders something of a relationship impasse in “Pen Ultimatum.” He sings, “Was hunched over a desk I was philand’ring with a sophomore, while you’re off God knows where discreetly fuckin’ your philosopher. I’ve wrapped my mind around it. I’ve explained it to the officer. But there is not a way that I can find provides an alternate.”
Such hues of resentment, loneliness, loss, and rumination color the album’s chromatic melodies in “Dress Gordon Nightmare,” “Before I Wake,” and “Wager.”
There is a moment or two, tucked away inside "Pen Ultimatum" or "Her Majesty" when a deceptively country thing starts taking shape in the melodies or the occasional lap steel swipe. But they're only passing nods. These are rock songs to be sure, and although the baroque singing style, which is form-fitted to match the instrumental arrangements, is accomplished, it also feels a bit too earnest in its dedication to being earnest. But what the band lacks in sharp angles, it makes up with murky and literary existentialism.
With that, W.I.C. DJ Capeeton Mudfish calls out six silky smooth singers that give Ben Hameen a run for his money.
6. Barry White — The prince of pillow talk went to jail as a kid for stealing $30,000 dollars worth of Cadillac wheels, which is almost a match to Ben Hameen’s polished-out chrome-plated voice.
5. Melvin Franklin — When Melvin passed in 1995, the Temptations asked Ben to take his place, but he was already busy starting a band called LOA.
Hard to believe former Atlantan Lisa "Left Eye" Lopes has been dead 10 years today. Maybe it's because the mourning never ends for stars her size who pass so unexpectedly. Every year we mark the "anniversary" of her death, which, as Left Eye's friend and former TLC group-mate Tione "T-Boz" Watkins recently noted, is a weird word to commemorate such a solemn occasion.
“The word anniversary means a celebration,” TLC group member Tionne “T-Boz” Watkins told AllHipHop.com in a statement. “For us her death will never be a celebration, it’s still something that hurts.”
Yesterday, a previously unreleased song featuring Left Eye began to surface on blogs, giving us yet another chance to mourn her loss resulting from an auto accident in Honduras in 2002. The song, "Fantasies," was recorded three years before her death for Bootleg, a member of Midwest gangsta rap group the Dayton Family. It was recently released by Block Starz Music, a German label recently acquired by Jay-Z’s Roc Nation, with a portion of the proceeds to benefit the Lisa Lopes Foundation.
The ironic thing about the track is how much she sounds like another oft-mourned emcee on it. Of course, almost everybody sounded a bit like Tupac in the late ’90s. But in Left Eye's case, the two of them were friends for years. Left Eye was also affiliated with Pac's last label home, Death Row Records, before and after his death. In the video interview below, Left Eye talked about how she and Tupac often clashed because they were both Geminis, and what it was like being around him only a month before his death: