Thursday, March 26, 2009
Uncategorized Tennessee Williams' mind games have Sudden impact
Posted by Curt Holman @Curt_Holman on Thu, Mar 26, 2009 at 9:53 PM
When mental patient Catharine Holly declares “I just think I’m dreaming this. It doesn’t seem real,” she offers convenient advice on how to watch Suddenly, Last Summer.
The 1958 play qualifies as one of the weirdest in Tennessee Williams' canon. It's the go-to work for detractors who want to decry the playwright’s penchant for overheated extremes of human behavior. When Suddenly touches on lobotomies and sexual predation, it’s just getting warmed up. Actor’s Express' compelling production, directed by Melissa Foulger, implicitly suggests that audiences relinquish expectations for realistic roles developed in conventional, satisfying ways. It’s more rewarding to view Suddenly, Last Summer as Williams’ act of self-psychotherapy, energized with a kind of climactic cross-examination scene worthy of courtroom drama.
From the outset, Suddenly presents the stage as a mindscape’s dark jungle more than an everyday setting. Fronds hang over the set of a New Orleans mansion’s overgrown garden, full of Venus flytraps and other primordial life forms. Wealthy Mrs. Venable (Shannon Eubanks) explains to young Dr. Cukrowicz (Joe Sykes), aka Dr. Sugar about her beloved, fortyish son Sebastian. Mother and son had the kind of relationship Oedipus would envy. Mrs. Venable holds a grudge against Sebastian’s nubile cousin Catharine (Kate Donadio) for her “child’s” besmirched reputation and death at a tropical hellhole called Cabeza de Lobo, or “Wolf’s Head.” (Symbolism alert!)
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