State of the Arts

Thursday, August 12, 2010

MLK vs. Old English: A letter from Living Walls artist Hugh Leeman

Posted by Hugh Leeman on Thu, Aug 12, 2010 at 4:38 PM

Editor's note: As part of this weekend's Living Walls conference, San Francisco-based artist Hugh Leeman was slated to fill the Sound Table's Boulevard-facing exterior wall with a mural honoring Martin Luther King Jr. Here, he recounts how an Old English ad on a portion of the same wall nearly prevented his mural from happening.

MLK1.jpg
  • Courtesy Hugh Leeman
This mural (right) sits a block between the Martin Luther King Jr. historical society and Dr. King's birth house, overlooking the heart of the MLK Jr. district of Atlanta. Initially I was given permission to do this mural by the restaurant owners of The Sound Table, who lease this building. Just before my arrival in Atlanta from San Francisco, I found this permission had been revoked by the building's owner who permits and profits from this Old English ad on his building. The ad agency in no way would allow any infringement on its space on this wall even an MLK mural on his own doorstep.

My plane had arrived in Atlanta much later than expected due to an emergency landing in Wichita, Kan. Finally in Atlanta, I dropped my bags and walked at 1 a.m. to the restaurant calling its owners on the way. Wanting to hear why my permission had been revoked in person, I received an interesting twist of fate as one of the owners had gone to R.I.S.D. with Shepard Fairey and could appreciate this mural's value.

The Sound Table's open mind and ability to see away an injustice served by the hands of corporate advertising are what initially and finally made this mural possible. In between a property owner, and ad agency, and an ad so distastefully placed in this historic district had blocked our permission.

MLK2.jpg
  • Courtesy Hugh Leeman
Word spread fast through the neighborhood that scaffolding and a giant MLK mural were going up. As art holds the beautiful potential to interpretation we began hearing this is great but why is it next to an "Old E" advertisement — that's not cool. So initially cock blocked by Old E then forced to downsize the mural by more than half only to have the mural interpreted as slander towards him and all he represents. We saw this as a beautiful opportunity to start a dialogue among all those who saw this mural and ad next to one another.

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Friday, July 30, 2010

Creative organizations Gather once again this Saturday

Posted by Jessica Blankenship on Fri, Jul 30, 2010 at 1:33 PM

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Tis the season for Atlanta arts organizations to come together. Back in June, dozens of artists, galleries, and bands rocked Poncey-Highland at Artlantis, and this Saturday, July 31, Gather Atlanta is back with the whole damn crew of Atlanta's young creative organizations—and they've got a lot to talk about.

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Wednesday, July 14, 2010

Three-for-one, art-for-all: Reviews of new shows at Young Blood, Kibbee and Beep Beep Galleries

Posted by Jessica Blankenship on Wed, Jul 14, 2010 at 11:15 AM

Allen Taylor
  • Allen Taylor
When it comes to giving the best in new and established local artists a platform to show their work (and doing some serious hustling to actually sell it), few galleries can compete with Young Blood and Beep Beep. Positioned a few miles apart off Ponce de Leon, the two Atlanta-centric art hot spots have been consistently offering up local wares with no hesitation about ranging from the extremely irreverent to the intensely evocative. Simultaneously, they’ve taken great and clever strides toward morphing Atlanta’s underground art scene from purely a labor of love into a money-making enterprise, by having a heavy hand in bolstering what is now a growing trend of serious art collection. Atlantans are buying and collecting local art now more than ever - Young Blood and Beep Beep are a big part of the reason why. (Don’t think anyone’s getting rich, folks. I just mean that now an artist might occasionally see a few bucks. We still have a long to go before local artists are getting their just financial propers.)

Then add to the mix relative newcomer Kibbee Gallery (positioned fortuitously half-way between Beep Beep and Young Blood, behind Fellini’s on Linwood.) They opened last year with a like-minded mission, backed the creative force of adept local arts conductor Ben Goldman, who is almost the curator of the current MINT Gallery show, America. Their induction into Atlanta’s subterranean arts fold was natural and immediate. Not surprising, since these galleries mark a community of businesses that promote artistic (and hopefully fiscal) success through cooperation and support, rather than exclusion and competition.

Each gallery has a pretty money spot around one of Atlanta’s busiest thoroughfares, plus the tireless creative and business energy of their proprietors (whose encompassing knowledge of Atlanta artists results in some truly inspired, gallery-initiated artist collaborations.) The culminating atmosphere among these spaces is something special.

Hey look! Its the street were talking about!
  • Hey look! It's the street we're talking about!
On the occasional night like last Saturday, July 10, the Ponce Posse (okay, I’m still working on a cool name) will throw down in full force by each premiering new exhibitions. This does something pretty damn sweet to the art-goers; maybe it’s seeing many of the same faces at multiple galleries in one night that raises the energy of the overall experience, as if it reminds patrons that they actually do live in a city where there is a thriving, supportive community of artists, fans and collectors. And bonus - since you’re both there, you can totally hit on that girl at Beep Beep who you were too pussy to talk to earlier at Kibbee. Nights like July 10, with multiple openings punctuating the neighborhood, turn the east midtown stretch of Ponce into an art relay race - it’s a damn good time.

If you weren’t there last Saturday, never fear - the shows are ongoing and I’ve done the hard work for you. Check out these mini-reviews of the fresh offerings at Young Blood, Kibbee and Beep Beep Galleries:

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Tuesday, July 6, 2010

A light on the Horizon

Posted by Jessica Blankenship on Tue, Jul 6, 2010 at 4:00 PM

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Remember less than six weeks ago when the Horizon Theatre Company was embarking on a capital campaign to cover a $90,000 deficit? And how they had practically no time to make that happen? Well, they did it. Basically. Almost. They could still use a last little push toward the finish line - but if the recent outpouring of support for the 26-year-old L5P theater is any indication, you guys are going to take them all the way.

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Jason Travis will be good to you

Posted by Jessica Blankenship on Tue, Jul 6, 2010 at 10:24 AM

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If you’ve been at any art or music event in Atlanta the past few years (and if you haven’t, then, ya know, what’s your problem?) there’s a good chance you’ve spotted a dapper, mustachioed young man named Jason Travis. Maybe you never noticed him since his face is usually hiding behind a camera, either making drunk hipsters look like rock gods, or getting voyeuristic on the insides of their bags.

But that’s not all he does. J Trav is a busy guy whose artistic, curatorial, and musical efforts throw shame on your lazy game. He plays in the local band Sealions, curated the current group art exhibition at Aurora Coffee in Little 5 Points, is in the middle of launching a new Atlanta-centric culture magazine, and pays the bills doing a range of designerly deeds. Rumor has it that he sleeps sometimes, but we’ve seen no evidence of this.

CL recently hung out with Jason Travis and talked about art, life, love and Lilburn.

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Friday, March 12, 2010

Lunching with Purpose: Arts make good cents

Posted by Salina Cranor on Fri, Mar 12, 2010 at 4:56 PM

click to enlarge Meet one of the panelists: Jasmine Guy
  • Meet one of the panelists: Jasmine Guy

Next week, some of Atlanta's art and business heavy hitters gather to discuss art's importance for the city both culturally and financially. Here's the breakdown:

WHAT: 8th annual Women in the Arts Panel Luncheon

WHEN: March 18

WHERE: 103 West, Buckhead

WHO: Panelists:

  • Jasmine Guy, stage, film and TV actor, director
  • Virginia Hepner, Atlanta Ballet's interim exec
  • Sandy Hofmann, Advanced Technology Development Center's chief information officer
  • Mary Pat Masterson, Atlanta Botanical Garden's exec director
  • Jan Selman, Arts Leadership League Of Georgia's former exec director

Moderator:

  • Rachel May, Synchronocity's co-founder, producing artistic director

WHY: Where to start? National Women's History Month, women in the arts, art consideration in city planning, building/preserving the Atlanta art world

TO WHAT EXTENT: It's been said that if you really want to know history, if you really want to understand a period's environment, put down the history book, and look at the art. History can be rewritten, but art is frozen in time.

(Photo by Whitney Brown)

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