Actors Expresss twisty thriller Mauritius turns on a question of authenticity: Is a pair of rare stamps really worth a seven-figure payout? Theresa Rebecks play explores issues of forgery and perceived value, questions that could be applied to Mauritius itself, which initially resembles a facsimile of American Buffalo.
David Mamets 1975 classic depicts a trio of losers in a hole-in-the-wall junk shop planning a score around a rare coin. For a while, Mauritius comes across as a Mamet-wannabe with women added to the mix. The play proves truly worthy in its second act, as if the real thing were only disguised as a fake.
Cara Mantella (who portrayed the naïve nun in the Alliance Theatres Doubt) plays Jackie, a daughter struggling to settle her late mothers financial quagmire, to say nothing of the raw emotions surrounding her death. Her selfish half sister Mary (captured with surgical precision by Kathleen Wattis) offers no help and claims their late mothers only item of value, a neglected stamp collection. The sisters contend with figures from the shady underworld of, uh, philately, including a tetchy stamp expert (Richard Garner), a rich, obsessive collector (Chris Kayser) and a young hustler on the make (promising newcomer Bryan Brendle) whos either going to help Jackie, or con her, or both.
At first some of Mantellas awkwardness and Kaysers Sopranos-style swagger (not to mention the shows fight choreography) seem arch and artificial, evoking the playwrights day job as a writer for television. Mauritius second act, however, builds to maximum tension in a negotiation scene, Mantella's and Kaysers performances proving richer than they initially seemed. Cantella convincingly plays Jackie as young and desperate, but also shrewd enough to stare down a potential gangster with a vicious temper and a briefcase full of money.
In Mauritius, Rebeck and director Freddie Ashley keenly appreciate the art of the deal, and the way neither a seller nor a buyer wants to be the first to name a price. After a shaky start, Mauritius becomes so engrossing, it turns into the kind of play where you want to follow the characters offstage and find out what happens to them after the curtain. That alone is enough to make Mauritius a kind of collectors item.
Mauritius. Through Feb. 21. $18-$27. Wed.-Sat., 8 p.m.; Sun., 5 p.m.; Sun., Feb. 8, 2 p.m. Actor's Express, 887 W. Marietta St., Suite J-107. 404-607-7469. www.actors-express.com.
(Photo by Coosa Valley Photography)
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