THE DOUBLE HOUR (NR) This blend of melancholy romance and psychological thriller follows a penniless maid and an ex-cop in Turin, Italy, who meet at a speed-dating event but find their blossoming attraction sidelined by a shocking incident.
THE HANGOVER 2 2 stars (R ) Just before his Thailand wedding, dentist Stu Price (Ed Helms) awakens in a squalid Bangkok hotel room with his pals (Bradley Cooper and Zach Galifianakis) but no memory of the previous night’s debauchery. Director Todd Phillips’ follow-up to the hit comedy plays less like a remake than a sequel, given how closely it follows the first script’s template. Helms and Galifianakis remain hilarious in their respective roles, so you may have a good time, but you’ll hate yourself in the morning. — Holman
INCENDIES (NR) Two siblings attempt to unravel the mystery of their mother’s life in this Canadian nominee for Best Foreign Language Film set against the backdrop of the conflict in the Middle East.
13 ASSASSINS 4 stars (R ) A retired samurai (commanding Koji Yakusho) enlists other warriors to help him assassinate the Shogun’s depraved half-brother (Gorô Inagaki) lest he tear feudal Japan apart. Prolific, hyper-violent Japanese filmmaker Takashi Miike brings 21st century stunts and gore effects to his remake of a 1963 samurai film and delivers one of the most accomplished and breathtaking action films since John Woo’s heyday in Hong Kong. The movie’s front end slowly builds to a stunning, 40-minute sequence in which the title characters ambush 200 bad guys in a booby-trapped “town of death.” Don’t miss it. — Holman
CANDY DARLING (NR) This documentary profiles Candy Darling, a male-to-female transsexual who starred in several of Andy Warhol’s films and inspired the Velvet Underground’s song “Candy Says.” May 31-June 5, 7 p.m. Cinefest Film Theatre, Georgia State University, 66 Courtland St., Suite 240. 404-413-1798. www2.gsu.edu/~wwwcft.
THE ROOM (2003) 1 star (R ) This hilariously incompetent, sub-Skinemax-level romantic triangle has become a wildly entertaining monthly viewing party, a la The Rocky Horror Picture Show. Writer-director-star Tommy Wiseau strikes a freaky presence as a long-haired, heavy-lidded, thick-accented bank employee cuckolded by his vicious fiancée (Juliette Danielle). The film’s bizarre touches, like framed photographs of spoons, inspire audiences to throw plastic spoons at the screen, and more. Not to be missed. Tue., May 31, 9:30 p.m. $8. Plaza Theatre, 1049 Ponce de Leon Ave. 404-873-1939. www.plazaatlanta.com.
MONDO CINEMA 2011 A series of films exploring how ritual, filmmaking and performance are used to transform bodies. May 29, 7 p.m. My Sister's Room, East Atlanta
1271 Glenwood Ave., Atlanta, GA 30316. 678-705-4585. http://www.frequentsmallmeals.com/MondoHomo2011.htm.
THE 5TH QUARTER (PG-13) Dressed in his deceased brother's #5 jersey, Jon Abbate leads the Wake Forest Demon Deacons through their most successful basketball season yet and earns them a trip to the Orange Bowl. This film is based on a true story.
THE ADJUSTMENT BUREAU 2 stars (PG-13) A bad-boy congressman (Matt Damon) falls in love with a free-spirited dancer, only to discover that the supernatural “adjustment bureau” of sinister guys in fedoras wants to keep them apart. In this adaptation of a short story by Philip K. Dick, debut filmmaker George Nolfi struggles to give the film a steady tone and alternates awkwardly between Murphy’s Law comedy, star-crossed love story and the surreal paranoia of an Inception knock-off. The zany energy of the finale, which features magic hats and teleportation-based race across New York, doesn’t keep the fates from conspiring against the film. — Holman
AFRICAN CATS (G) The makers of the Earth documentary narrow their focus on young lions and cheetahs. Narrated by Samuel L. Jackson, who probably never says “I’m sick of these m.f. cats on this m.f. continent!”
ARTHUR (PG-13) In a remake of the beloved Dudley Moore/Liza Minelli comedy, British wastrel Russell Brand plays a spoiled, boozing rich boy who faces the loss of his fortune unless he marries a woman he doesn’t love (Jennifer Garner). In an inspired bit of casting, Dame Helen Mirren reprises the butler role played by Sir John Gielgud.
BATTLE: LOS ANGELES 3 stars (PG-13) Aaron Eckhart plays a Marine staff sergeant who leads his platoon against space invaders in this gritty sci-fi action film that aims more for Black Hawk Down than Independence Day. With lots of firepower but little character development, Battle: Los Angeles plays like a very expensive, two-hour U.S. Marines recruiting film, but it approach to the tactical perspective of troops on the ground keeps the jingoism in check. — Holman
THE BEAVER 2 stars (PG-13) Troubled movie star Mel Gibson delivers a fascinating performance as a suburban family man who finds relief from his depression through a grubby beaver puppet with a cockney accent. The Beaver starts with a premise ideal for satirizing suburban malaise and corporate conformity, but director Jodie Foster (who also plays Gibson’s wife) treats it as a near-humorless teachable moment about mental illness. Despite Gibson’s hard work, The Beaver dams up too many potential jokes and deep emotions. — Curt Holman
BLACK SWAN 2 stars (R) A perfectionist ballerina (Natalie Portman) begins losing her grip on reality after being cast in a high-pressure production of Swan Lake. Like the obsessive character, Portman and director Darren Aronofsky present their focused, technically top-notch artistry, but in the service of an overly simplistic, at times silly thriller about art, sex and madness. Following the naturalism of Aronofsky’s previous film, The Wrestler, Black Swan’s horror-movie hyperbole feels like a step backwards. — Holman
BLANK CITY (NR) This documentary provides an oral history of New York’s artistic underground during the 1970s and early 1980s, when crime ran rampant and creativity flowered. Interviewees include directors Jim Jarmusch and John Waters, actor-writer-director Steve Buscemi, Blondie’s Debbie Harry and Hip Hop legend Fab 5 Freddy. May 13-19, Plaza Theatre, 1049 Ponce de Leon Ave. 404-873-1939. www.plazaatlanta.com.
BRIDESMAIDS 3 Stars (R) BFFs Annie (Kristen Wiig) and Lillian’s (Maya Rudolph) lifelong sisterly bond is put to the test when Lillian gets engaged and asks Annie to be her maid of honor. The down-and-out thirtysomething Annie’s patience is put to the test when she tries to wrangle Lillian’s hare-brained band of bridesmaids. Wiig can do no wrong, except in her overly earnest, “you don’t know me” scenes with her Irish cop love interest (Chris O'Dowd). Bridesmaids is as funny as you’d hope a film co-written by Wiig and executive produced by Judd Apatow would be, and even more honest. — Debbie Michaud
BIG MOMMAS: LIKE FATHER, LIKE SON (PG-13) Keeping in line with the title, this father son duo, Malcom Turner and Trent, go undercover at an all-girls performing arts school after son, Trent, witnesses a murder. Posing at Big Momma, they must find the murdered before he finds them in this kill or be killed comedy.
CAT RUN (R) This action comedy depicts a pair of bumbling detectives who find themselves drafted to protect a high-priced call girl who can uncover a vast conspiracy.
CEDAR RAPIDS 3 stars (R ) A boyish small-town insurance agent (former Atlantan Ed Helms) comes of age amid the “big city” temptations at a Cedar Rapids convention. Like Up in the Air, reconceived as a fish-out-of-water comedy, Cedar Rapids simultaneously mocks corporate kitsch while celebrating Middle-American idealism. Helms’ starry-eyed fatuousness anchors a strong cast, which includes John C. Reilly, “The Wire’s” Isiah Whitlock Jr. and Anne Heche in a totally charming comeback role. — Holman
THE CONSPIRATOR (PG-13) A Robert Redford flashback to the Lincoln era. In the trial for President Abraham Lincoln's assassination, Mary Surrat is charged for being a co-conspirator. She bears the brunt for the nation's hostility—the North hates her and the government wants her hanged. Her attorney is the only one who seems to have her back.
CRACKS (NR) Eva Green, Imogen Poots and Juno Temple star in this English drama about the fraught relationship between the students and teachers at a 1930s girls’ boarding school.
DIARY OF A WIMPY KID: RODRICK RULES (PG) In this sequel to last year’s surprise hit, Greg Hefley begins the seventh grade and struggles with the prankish behavior of his bullying older brother, Rodrick
DUMBSTRUCK (NR) Director Mark Goffman, a graduate of Emory University, helms this light-hearted documentary about five ventriloquists and their attachment to their dummies.
DYLAN DOG: DEAD OF NIGHT (PG-13) Brandon Routh of Superman Returns stars in this comic book adaptation as a supernatural private investigator with the motto “No pulse? No problem.” Expect plenty of vampires, werewolves and zombies.
EVERYTHING MUST GO 4 stars (R) An alcoholic sales executive (Will Ferrell) lives on his front lawn after his never-seen wife kicks out him and their stuff and changes the locks. Ferrell mutes his flailing comedic style with remarkable effectiveness in this fine adaptation of a quiet Raymond Carver short story. Despite the outlandish premise and slapstick moments, Everything Must Go uses alcoholism to represent a more pervasive sorrow in contemporary America. — Holman
FAST FIVE (PG-13) Vin Diesel, Paul Walker and Tyrese Gibson reunite for this fifth entry in the Fast & the Furious franchise, with Atlanta and Puerto Rico substituting for Rio de Janeiro. Will the next one be called Speedy Six?
strong>THE FIRST GRADER (PG-13) Naomie Harris and Oliver Litondo star in this feature film about an octogenarian in Kenya who seeks to take advantage of his country’s guarantee of an education by joining a classroom of six year-olds in an effort to learn to read.
FORKS OVER KNIVES (PG) This documentary examines how to change American eating habits to enjoy the health benefits plant-based diets as opposed to meat lovers’ meals.
GNOMEO & JULIET (G) Star-crossed lovers on the wrong side of the fence, two garden gnomes fall in love. Caught in a feud between their red and blue hatted friends, the couple struggles to find happiness.
THE GREEN HORNET 3 stars (PG-13) Seth Rogen plays the party-boy son of a media magnate who turns into a masked, crime-busting vigilante after his father’s murder. Puckish post-modernist Michel Gondry helms this curious-looking update of the famed pulp hero and 1960s TV star.
HALL PASS 2 stars (R) Owen Wilson and Jason Sudeikis play suburban dads granted a week of no-strings-attached freedom from their wives (Jenna Fischer and Christina Applegate). Writer/directors Bobby and Peter Farrelly get a few big laughs with gross-out slapstick, but mostly waste an intriguing polyamorous premise, while the lighting and make-up put the cast’s worst faces forward. Filmed in Atlanta, but set in Providence and Cape Cod.
HANNA 3 stars (PG-13) Saorise Ronan plays a teenage girl raised in seclusion by a fugitive intelligence agent (Eric Bana) to be a super-assassin. Atonement director Joe Wright helms this eccentric espionage tale that plays like a Snow White or Sleeping Beauty fairy tale with the trappings of a Bourne Identity thriller. With Cate Blanchett’s conniving spymaster serving as the wicked stepmother, Hanna includes some heavy-handed symbolism and decidedly unmenacing bad buys, but Ronan’s stranger-in-a-strange-land performance keeps the film from spinning out of control. - Holman
HAPPYTHANKYOUMOREPLEASE (R) One of the buzzworthy films of this year’s Sundance Film Festival, Josh Radnor’s directorial debut follows a group of young New Yorkers as they wrestle with love, friendship and their impending adulthoods.
HESHER (R) TJ's life is torn apart when his mother dies in a car accident. Living with his elderly grandmother and a father who solves his problems with pills, TJ's situation could not get more strange. That's when Hesher comes in. This tattooed young man with long greasy hair takes up residence in the family garage uninvited and brings his sense of anarchy along. Natalie Portman plays the opposing role of caring young grocery clerk who steps in to become TJ's protector.
HOODWINKED TOO! HOOD VS. EVIL (PG) This seemingly-belated sequel to the 2006 computer-animated fairy tale spoof Hoodwinked! finds Little Red Riding Hood (Hayden Panettiere)as a troubleshooting agent trying to rescue Hansel and Gretel (Bill Hader and Amy Poehler) from a wicked witch (Joan Cusack).
HOP (PG) Everyone dreams. In this animated comedy, E.B. (Russell Brand) heads to Hollywood in hopes of becoming a drummer in a big time rock 'n' roll band instead of taking over his father's role as the Easter Bunny.
THE HUMAN RESOURCES MANAGER (NR) Israel’s official entry for the Best Foreign Language Film of the 83rd Academy Awards, this tragicomedy follows the HR manager (Mark Ivanir) of a large industrial bakery and his attempts to prevent a scandal.
I AM NUMBER FOUR (PG-13) Teen angst in high gear. John Smith is on the run from enemies sent to destroy him. On the run, with his guardian Henri to help him, he changes his identity several times but can't outrun regularities of the young adult life: his first true love and incredible friendships.
I SAW THE DEVIL (NR) The good guy goes bad. A top secret agent, Soo-Hyun makes vengeance his motive when he sets out to find the serial killer who murdered his pregnant fiance. He will stop at nothing, even if it means playing on the bad side.
IN A BETTER WORLD 3 stars (R ) Danish director Susanne Bier won this year’s Oscar for Best Foreign Language film for this downbeat drama that wrestles with the issue of how civilized people deal with violence. In a small Danish town, a Swedish outcast (Markus Rygaard) finds a defender in a transfer student (William Jøhnk Nielsen), only to discover that his new friend has a disturbing violent streak. Meanwhile, the Swedish boy’s father (Mikael Persbrandt), a surgeon at an African refugee camp, finds his own ideals tested by a brutal warlord. The film takes an overly paternalistic view of the African characters and softens its themes with an 11th-hour plot point, but argues against the concept of revenge at a time when most action movies seem to celebrate it. — Holman
INSIDIOUS (PG-13) Some of the creative team behind the Saw and Paranormal Activity movies collaborated for this praised haunted-house drama about a family whose young son slips into a coma shortly after they move into their new home.
JUMPING THE BROOM (PG-13) Angela Bassett stars in this light-hearted-looking wedding film about a groom (Laz Alonso) from downtown, a bride (Paula Patton) from uptown, and how their families collide over a long weekend on Martha’s Vineyard.
JUST GO WITH IT (PG-13) Or don’t go with it. It’s up to you. Adam Sandler plays a plastic surgeon who enlists his assistant (Jennifer Aniston) to play his estranged wife in a scheme to romance a young hottie (Brooklyn Decker). Nicole Kidman and Dave Matthews are also in it.
JUSTIN BIEBER: NEVER SAY NEVER (G) Because some wishes come true. This real life fairytale documentary traces the roots of Bieber Fever to Stratford, Ontario and ends in 3D with a sold out performance at Madison Square Garden. Cue the shameless screams and applause now.
KILL THE IRISHMAN (R) This crime drama depicts the career of Danny Greene (“Rome’s” Ray Stevenson), an Irish-American mob boss and FBI informant who tries to take over the Cleveland underworld in the 1970s. The supporting cast includes such tough guys Vincent D'Onofrio, Christopher Walken and Val Kilmer.
THE KING’S SPEECH 4 stars (R ) Colin Firth should rehearse his King’s Best Actor Oscar acceptance speech for this light-hearted docudrama about the Duke of York’s struggles with his speech impediment on the eve of World War II. The film doesn’t touch on as many contemporary themes as such other Royal dramedies as The Queen or The Madness of King George, but offers an entertaining account of one man’s self-actualization, with Firth and Geoffrey Rush (as the king-to-be’s unconventional speech therapist) volleying the elegant dialogue back and forth like old pros. — Holman
LIMITLESS (PG-13) The Hangover’s Bradley Cooper plays a lazy would-be writer who takes an intellect-enhancing drug that makes him a celebrity financial genius — and a target for bad guys who want the drug for themselves.
THE LINCOLN LAWYER (R) Apparently this Lincoln is a comeback vehicle for Matthew McConaughey, who’s getting his best reviews in years as an ambulance-chasing attorney who works out of his car and must reconsider his values when he defends a sleazy rich kid (Ryan Phillippe). Don’t let the title mislead you into thinking that it’s a period piece about Honest Abe’s law practice.
THE LION OF JUDAH
The Easter story is told from the perspective of animals; the faint-hearted horse, the motherly cow, the lamb with the heart of a lion and many more. The movie is sweet enough for kids, witty enough for adults and funny enough for the whole family.
Tyler Perry's MADEA’S BIG HAPPY FAMILY (PG-13) Based on the musical play of the same name, Madea’s Big Happy Family depicts a dysfunctional family brought together by their mother’s illness, who needs the tough love of Madea (Tyler Perry) to knock some sense into them. Bow Wow (formerly “Lil Bow Bow”) stars with Perry, David Mann, Loretta Devine and “Old Spice Guy” Isaiah Mustafa.
MARS NEEDS MOMS (PG) A nine-year old boy (Seth Green) learns to appreciate his mom (Joan Cusack) after she’s abducted by aliens and he has to leave the planet to save her. This 3-D, CGI family feature was based on a children’s book by “Bloom County” creator Berke Breathed, and produced by the people who brought you The Polar Express.
THE MUSIC NEVER STOPPED (PG) Based on the case-study "The Last Hippie" by real-life Dr. Oliver, this sentimental drama chronicles the relationship between father and son, Henry and Gabriel. Gabriel suffers from cerebral trauma and loses his ability to make new memories which throws him into a time-warp where the past, future, and present all become one. Through trial and error, his father finds that Gabriel is most responsive to 1960s Rock and Roll. Through music, they create a new relationship.
NO STRINGS ATTACHED (R) Natalie Portman plays a commitment-averse medical resident who strikes up a purely carnal relationship with an old friend (Ashton Kutcher). The flick’s rom-com vibe suggests these crazy kids’ hearts will win out over their libidos. (Not to be confused with July’s rom-com Friends With Benefits.)
OF GODS AND MEN 4 stars (NR) Winner of the Grand Prix at the 2010 Cannes Film Festival, this French docudrama depicts a group of Trappist monks in Muslim Algeria who become increasingly at risk during an Islamist insurgency. Based on a real incidient from 1996, Of Gods and Men focuses less on the violence and more on the monks’ dilemma over whether they should continue to minister in their adopted home, or flee from the very real threat to their safety. With long scenes free of dialogue and sharp debates over religious duty, Of Gods and Men movingly captures the costs and rewards of devoting one's life to serving God and man. Starring Lambert Wilson and Michael Lonsdale. — Holman
PAUL 2 stars (R) Aspiring sci-fi artists/fanboys Graeme and Clive (Simon Pegg and Nick Frost) tour the UFO hotspots of America’s Southwest, only to encounter the uncouth but friendly fugitive alien Paul (voiced by Seth Rogen). For Paul, some of our greatest comic actors and Superbad/Adventureland director Greg Mottola team up for what might as well be “Alf” for pot-smoking, Star Wars T-shirt wearing nerds. The film’s affection for Paul and his raffish ways shines through, but the script eventually sounds like a straight-up list of lazy quotes from 1970s and 1980s blockbusters. — Holman
PIRATES OF THE CARIBBEAN: ON STRANGER TIDES 2 stars (PG-13) Captain Jack Sparrow (Johnny Depp) leads a race to the Fountain of Youth between his old nemesis Barbosa (Geoffrey Rush), swashbuckling hottie Angelica (Penelope Cruz), fearsome, magical Blackbeard (Ian McShane) and some random Spanish guys. Chicago director Rob Marshall takes the helm for another loud, wearying romp on the high seas. McShane makes a reliably entertaining bad guy, but On Stranger Tides struggles to establish Penelope Cruz as Jack’s abiding love interest, but they don’t seem to particularly like or trust each other. The franchise should drop anchor now before the Tides get any lower.
POETRY (NR) This soft-spoken, uplifting drama from South Korea depicts woman in her 60s who finds meaning in a poetry class while she faces the onset of Alzheimer’s Disease.
POM WONDERFUL PRESENTS THE GREATEST MOVIE EVER SOLD 3 stars (PG-13) Gonzo documentarian Morgan Spurlock puckishly recounts his effort to secure corporate sponsorship for this film about cinematic product placement. The director of Super Size Me doesn’t so much attack the manipulative effects of advertising as draw attention to its incessant presence in modern life. Spurlock delivers plenty of amusing meta-jokes about selling out, so in The Greatest Movie Ever Sold, he essentially gets to have his pomegranate juice corporate backing and drink it, too. — Holman
POTICHE (R) French cinema icons Gerard Depardieu and Catherine Deneuve star in this comedy by François Ozon about a “trophy wife” who discovers feminine liberation when she takes over an umbrella company in the 1970s.
PRIEST (PG-13) Paul Bettany stars in this apocalyptic thriller about a Warrior Priest who defends the last remnants of humanity against encroaching vampires. It’s based on a Korean comic book reportedly inspired by a video game, and is in 3-D. It clearly represents all of the best trends in today’s Hollywood, if this were Opposite Day.
PROM (PG) This Disney high school movie depicts all the troubles of teenage love and life. As prom approaches the good girl and the bad boy solve their differences.
RANGO 4 stars (PG) Through dumb luck and tall tales, a chameleon known as Rango (Johnny Depp) convinces the desperate denizens of Dirt that he’s a hero capable of solving their water shortage, even though he’s just a former house pet with delusions of being an actor. It’s slow to start and kids probably won’t get the jokes about Western clichés, vision quests and pretentious actor behavior. Where Gore Verbinski’s Pirates of the Caribbean films let Johnny Depp improvise on rock stars and pirate lore, Rango riffs on master thespians and spaghetti westerns with brilliant animation and thoroughly entertaining set pieces. — Holman
RED RIDING HOOD (PG-13) Catherine Hardwicke, who directed the first Twilight film, helms this Brothers Grimm-inspired thriller about a snowy village stalked by a werewolf. The cast includes Gary Oldman, Billy Burke, Virginia Madsen, Julie Christie and Amanda Seyfried as the girl n da hood.
RIO A love bird and her Minnesota-bred macaw. Jewel and Blu meet in Rio and head out on adventures together.
SCREAM 4 (R) The Ghostface Killer — the slasher, not the rapper — returns to stalk intrepid survivor Sidney Prescott on the 15th anniversary of the original “Scream” murders. Director Wes Craven reunites with writer Kevin Williamson and actors Campbell, David Arquette and Courtney Cox for the fourth installment of the Scream franchise, which supposedly tweaks the Youtube generation and the tropes for 21st century horror films.
SOMETHING BORROWED 2 stars (PG-13) More like Something blew. Insecure, dowdy Rachel (“Big Love’s” Ginnifer Goodwin) wrestles with guilt when she has an affair with Dex (Colin Egglesfield), the fiancée of her overbearingly free-spirited best friend, Darcy (Kate Hudson). As a wisecracking pal, “The Office’s” Jon Krasinski is the only cast member allowed to be funny, so this laugh-deficient comedy mostly consists of Hudson behaving like a jerky narcissist and Goodwin and Egglesfield blandly mooning over each other. — Holman
SOUL SURFER (PG) When sharks attack, teenage surfer Bethany Hamilton (AnnaSophia Robb) loses her left arm. Unwilling to give up her love for the water, she learns to surf with one arm and eventually becomes a pro surfer.
SOURCE CODE 3 stars (PG-13) Helicopter pilot Colter Stephens (Jake Gyllenhaal) experiences multiple cases of déjà vu when mysterious government forces repeatedly send him into the body of a commuter onboard a train due to explode in eight minutes. Moon director Duncan Jones takes a premise worthy of second-hand Philip K. Dick and crafts a surprisingly compelling time-loop thriller, grounded by Gyllenhaal’s terrific performance as an ordinary soldier trying to process his increasingly complicated predicament. With Michele Monaghan as a comely train passenger and Vera Farmiga as Colter’s enigmatic military controller. — Holman
SUPER 2 stars (R) When his addict wife (Liv Tyler) leaves him for a smooth drug dealer (Kevin Bacon), a depressed fry cook (“The Office’s” Rainn Wilson) acts out by becoming a masked vigilante called “The Crimson Bolt.” Slither writer/director James Gunn attempts to puncture the mythos of superheroes, but the drab cinematography and sour, predictable script drain all the fun from the action. Ellen Page nearly saves the day, however, as a comic book fangirl who gets off on becoming the Crimson Bolt’s ultraviolent sidekick. — Holman
SUCKER PUNCH (PG-13) A group of young hotties in a mental institution find that the key to their escape may lie in a series of fantastical dream worlds. The trailers make this action flick from Zach Snyder (300, Watchmen) are undeniably flashy.
THERE BE DRAGONS (PG-13) The Mission director Roland Joffe helms this biopic of the founder of Opus Dei (played by Wes Bentley) and the conflicts of the Spanish Civil War. Dan Brown fans might recall Opus Dei as the sinister religious organization in The Da Vinci Code, but There Be Dragons reportedly takes a more positive point of view.
THOR 3 stars (PG-13) Thor (Chris Hemsworth), the Norse god of thunder, faces exile on Earth as a powerless (but still cut) human as part of the evil scheme of his resentful brother Loki (Tom Hiddleston). Superfluous 3-D effects and too many characters clutter the latest film in the Marvel Comics “Universe,” but Shakespearean director Kenneth Branagh still gives the film the derring-do of an Old Hollywood swashbuckler, with help from Hemsworth’s performance as a god who grows up. Other scene-stealers include Natalie Portman’s astrophysicist, Idris Elba’s celestial sentry and a marauding suit of armor called The Destroyer. — Holman
TRUE GRIT 3 stars (PG-13) In this remake of John Wayne’s Oscar-winning Western, Haillee Steinfeld plays Mattie Ross, a 14 year-old girl out for revenge when a ranch hand (James Brolin) guns down her father. Ross enlists a boozy, one-eyed U.S. marshall (Jeff Bridges) to track the no-good varmint, and tolerates a preening Texas Ranger (Matt Damon) on the trail, leading to snappy repartee and suspenseful shoot-outs. The Coen Brothers’ remake improves on the original, particularly in its portrait of the harshness and cruelty of the frontier, but “new Grit” doesn’t achieve the greatness of the Coen’s modern classics. — Holman
WATER FOR ELEPHANTS (PG-13) Not the sequel to Like Water for Chocolate, this adaptation of the popular novel stars Twilight’s Robert Pattinson as a Depression-era veterinary student who takes a job with a traveling circus and falls for one of the performers (Reese Witherspoon). Filmed in Georgia.
WIN WIN (R) Mike Flaherty, a New Jersey attorney and wrestling coach, seems to be losing on both sides. He struggles to keep his family, his wife and two daughters, happy. His at home situation is made worse by the fact that his New Providence High School wrestling team is on a losing streak. Just when he thinks he's found the key to success in troubled teenager turned star athlete Kyle, Kyle's mother shows up fresh out of rehab and broke threatening to derail the teams chance at fulfilling their motto, finally, "The Home of Champions".
WINTER IN WARTIME
In Nazi-occupied Holland 14-year-old Michiel comes face to face with the harsh reality of war. Michiel's involvement with the Resistance thrusts him into adulthood without warning as he struggles to distinguish between good and evil.
YOUR HIGHNESS 3 stars (R ) In this raunchy spoof of fantasy epics, Danny McBride plays Thaddeus, the jealous, layabout brother of dashing Prince Fabious (James Franco), who reluctantly goes on a quest to rescue the prince’s fiancé (Zooey Deschanel) from a nasty wizard (Justin Theroux). From the director of the pot comedy Pineapple Express, Your Highness gets a lot of mileage by setting off f-bombs and contemporary drug jokes in a Princess Bride-style setting. Too many scenes and ideas lack comedic payoff, but the cast is game and it’s fun to see Your Highness skewer the kind of hero’s journey tropes that seemingly every Hollywood movie slavishly obeys these days. — Holman
What a fucking clown show. A mile to walk to the arena? IDK, they only…
No disrespect to any who live there, but College Park is often ranked the most…
"The midtown neighbors were able to force Georgia Tech to leave the front of the…
To Tom Turkey, that is why you have that name. You don't know what you…
@ atlantan109 I was involved back then because I was cynical about what the State…
I am thrilled that this comment thread has veered into a discussion about effective neighborhood…