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Monday, June 4, 2012

Spoleto Update: Festival approaches final weekend

GARDEN TOUR: k.d. lang performed at the Atlanta Botanical Gardens on Friday, June 1, before making an appearance at Spoleto 2012 on Sunday, June 3. Her performance there was part of the annual arts events final week.
  • Courtesy k.d. lang
  • GARDEN TOUR: k.d. lang performed at the Atlanta Botanical Gardens on Friday, June 1, before making an appearance at Charleston's Spoleto Festival on Sunday, June 3. Her performance there was part of the annual arts event's final week.
Charleston's annual Spoleto Festival has entered the home stretch. The final week of events will be capped off by one last busy weekend of performances and an outdoor finale concert by Cedric Watson and Bijou Creole at Middleton Place followed by fireworks on Sunday night, June 10.

After her performance at Atlanta's Botanical Garden on Friday, June 1, velvet-voiced singer k.d. lang made a stop at Spoleto, performing to a sold-out crowd at Charleston's Gaillard Auditorium on Sunday, June 3. Cedar Lake Contemporary Ballet also performed at the same venue on Friday and Saturday nights. The company brought three dark, abstract pieces, presenting audiences with a challenging program of contemporary work.

We were expecting to be blown away by Cedar Lake's presentation of Angelin Preljocaj's "Annonciation" and Crystal Pite's “Grace Engine,” but it was actually Hofesh Shechter's "Velvet Kid" that left the strongest impression with its odd blend of interiority and social anxieties: in the piece, unusual waves of movement formed patterns across the company or rippled from one dancer to the next before dissipating. "The Annonciation" had a bit of an emotionally-distant, almost old-fashioned subject—the Biblical annunciation: though the Preljocaj piece had wonderfully dramatic, whiplike moves and quick full-bodied shifts, it was hard to connect to the central drama. The contours of "Grace Engine" were too similar to those of "Velvet Kid" for the two abstract ensemble works to sit comfortably on the same program. Although "Velvet Kid" was a knock-out for us and there was much to admire in the other two pieces, many in the audience had understandable obstacles in finding a sense of connection with the company.

CRACK UP zoe|junipers A Crack in Everything opens at Charlestons Memminger Auditorium on Wednesday, June 6.
  • Christopher Duggan
  • CRACK UP: zoe|juniper's "A Crack in Everything" opens at Charleston's Memminger Auditorium on Wednesday, June 6.
Kyle Abraham's Radio Show, which played at Emory's Schwartz Performing Arts Center in February, is on stage this week at Charleston's Emmett Robinson Theater. This dance performance may prove more approachable with its emotionally direct take on two forms of loss: the loss of Abraham's father's voice to Alzheimer's and the closing of an independent Philadelphia radio station. We're especially looking forward to seeing zoe|juniper's A Crack in Everything, which opens on Wednesday. Dancer Zoe Scofield triumphed in Atlanta this January performing a short work at the Rialto Center's first annual "Off the EDGE" festival, and we're looking forward to seeing a more elaborate, full-length work in which the fiercely original dancer will perform in the visual environments created by her husband, artist Juniper Shuey. Also still ahead is a performance by gospel singer Mavis Staples at the Gaillard on Wednesday, June 6.

OUT WITH THE OLD: The old Gaillard Auditorium has seen its last Spoleto.
  • OUT WITH THE OLD: The old Gaillard Auditorium has seen its last Spoleto.
Staples' performance will be among the last Spoleto events held at the old Gaillard Auditorium. In a city of amazing, world-class, intimate venues, the Gaillard (think Atlanta Civic Center) has always been a bit of an outlier. There is a planned $141 million dollar reboot in store for the space: the proposed new auditorium will include a European style performance hall with box seats, city offices, a sky-lit two-story grand atrium lobby, exhibition space and an outdoor performance area. Partial demolition of the old Gaillard is planned to begin in June 2012, with the new building slated to open in time for Spoleto 2015. The Spoleto organization will bid farwell to the building, which has hosted many Spoleto premieres and performances, with a cocktail party on the auditorium's stage on Friday, June 8. We'll drink to that.

IN WITH THE NEW: An artists rendering of the proposed new Gaillard, slated to open in time for Spoleto 2015.
  • IN WITH THE NEW: An artist's rendering of the proposed new Gaillard, slated to open in time for Spoleto 2015.
To say that it's been a busy couple weeks in Charleston is something of an understatement. Spoleto itself has about 150 performances, and the city-sponsored Piccolo Spoleto—which typically attracts more fringe festival, family-friendly and chamber performances—runs concurrently and consists of over 850 events. Easily more than 1,000 performing arts events take place in the city over the two-week period.

We were especially glad to see some of our favorite Atlanta acts participating in Piccolo Spoleto this year. New Trinity Baroque performed a stunning afternoon series of works by Vivaldi, Pachelbel, Handel and other Baroque composers at the First Scots Presbyterian Church; The Seed and Feed Marching Abominables brought their delicious brand of Atlanta outrageousness to various outdoor locations around Charleston; and dance company Gathering Wild will perform its tribute to the 27 Club (consisting of famous rockers Amy Winehouse, Jimi Hendrix, Kurt Cobain, Jim Morrison, and Janis Joplin, who all died at the age of 27). Gathering Wild's Piccolo appearance earned them a nice preview in Charleston's alt-weekly City Paper. Congrats, GW, and break a leg at the show. We hope to see even more Atlanta acts at Spoleto 2013.

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