
The Red Herring is a spoof of 1940s and '50s noir detective flicks: The story follows Detective Stainless Danger Steel (Matthew Myers) as he investigates a case as complicated as The Big Sleep or The Maltese Falcon. It naturally involves the requisite monologuing (nights are accommodatingly dark and stormy), metaphors (fog creeps into the city like a 13-year-old rummaging through his sister's sock drawer), brassy dames, tough henchmen, and sinister crime bosses.

The show's deadpan delivery and spoof of vintage film put me in mind of the old In LIving Color sketch character Velma Mulholland (I can't be the only longtime fan!), but The Red Herring is actually smarter in its somewhat more affectionate handling of the resilient archetypes. The playing of live piano music throughout is a nice touch, and it lends a lot of atmospheric heft to the show, crucial for creating a noir mood: we even get a great torch song sung by a double-crossing broad in a two-bit speakeasy. The use of screens, shadows, and projection for movie tropes not easily brought to the stage, like opening credits and fixed horse races, is inventive and charming.
The Red Herring plays for one more weekend in the Rodriguez Room of the Goat Farm. It's the place to be if you like your dames brassy, plots complicated, detectives monologuing, and nights especially dark and stormy.
The Collective Project presents the world premiere of "The Red Herring" in the Rodriguez Room at the Goat Farm, 1200 Foster Street, on Thursday to Saturday, July 26-28, at 8 p.m. and on Sunday, July 29 at 2:30 p.m. For tickets or more information, visit The Collective Project