Friday, July 30, 2010

Decatur Book Fest has a dumb new monster and great new authors

Posted by Wyatt Williams on Fri, Jul 30, 2010 at 9:16 AM

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The Decatur Book Festival has added a new mascot to their stable of book loving beasts. My favorite of those is "Mighty Carl Jung," by the way. This new one, though, is vaguely in the shape of Puff the Magic Dragon but with three heads, including one that kind of looks like that cover drawing of Ignatius Riley from Confederacy of Dunces and another that looks like Max from - you know what? Nevermind. It's a stupid, over-complicated monster. The Bookzilla Book-Monster described him best on Facebook:

I think we should call it Confused McDragon. How about Max Van Annoyance? I'm pretty sure he violates several Decatur zoning ordinances. Who dresses up like Ignatius Reilly anyway. He's treading on sacred ground with those poorly manicured claws of his.

The AJC is hosting a contest to give this annoying thing an annoying name, so you can do that if you want.

A better use of your time would be checking out the new authors added to the festival by Eyedrum for their first ever Experimental Writers Asylum. The event will be hosted by Seen Gallery in Decatur all weekend long during the festival. The line-up Jessica E. Blinkhorn reading her erotic writings, a publication party for the second of volume of The Open Face Sandwich (finally!), Blake Butler, and more. You can check out the full schedule after the jump.

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Weekend Arts Agenda

Posted by Wyatt Williams on Fri, Jul 30, 2010 at 8:25 AM

Dayna Thacker
  • Dayna Thacker

Catch up with some of the summer's best shows before they close this weekend and then head over to Gather Atlanta like you know what you're talking about. All the details after the jump.

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5 things today

Posted by Amber Robinson on Fri, Jul 30, 2010 at 7:54 AM

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  • Dana Tynan

1) Joan Baez performs at Atlanta Botanical Garden.
2) Atlanta Comedy Festival Vol. 2 kicks off at Apache Cafe.
3) Ariel Pink's Haunted Graffiti plays the Earl.
4) The Atlanta Humane Society hosts a benefit at Buckhead Theatre.
5) Prince Paul performs at 595 North.

See more Atlanta events.

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Thursday, July 29, 2010

Color photos of Depression-era America

Posted by Debbie Michaud on Thu, Jul 29, 2010 at 3:21 PM

The Denver Post posted on its photo blog Monday 70 images by photographers of the Farm Security Administration/Office of War Information that were used in the 2006 exhibit Bound for Glory: America in Color. The photos of of America and its citizens span from 1939-1943 and have a surreal, cinematic quality to them. It's a rare thing to see photos of this era rendered so vividly in color, as we're most familiar with Dorothea Lange's iconic black-and-white Depression-era/dustbowl imagery, and now more so with Peter Sekear, who's work is currently on view at the High.

Spooky is all I can say about my favorite of the collection on the DP's site:

Worker at carbon black plant. Sunray, Texas, 1942. Reproduction from color slide. Photo by Worker at carbon black plant John Vachon.
  • Prints and Photographs Division, Library of Congress
  • Worker at carbon black plant. Sunray, Texas, 1942. Reproduction from color slide. Photo by Worker at carbon black plant John Vachon.

View the full gallery here.

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5 things today

Posted by Kayla Miller on Thu, Jul 29, 2010 at 7:45 AM

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  • Courtesy Carlos Santana

1) Santana plays Chastain.
2) Hannibal Buress performs at Laughing Skull Lounge.
3) Atlanta native, Jeannette Montgomery Barron's My Mother's Clothes opens, with an accompanying discussion and signing, at Jackson Fine Art Gallery.
4) Atlantic Station's Movies and the Market series heats up with Dirty Dancing.
5) Patrick Toups' Built to Rust continues at One Twelve Gallery.

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Wednesday, July 28, 2010

Get up, stand up: gloATL's Roem

Posted by Debbie Michaud on Wed, Jul 28, 2010 at 6:21 PM

Toni Doctor Jenkins performing Prologue: Turf
  • Tara-Lynne Pixley
  • Toni Doctor Jenkins performing "Prologue: Turf"
It was unclear exactly which spot on the Woodruff Art Center campus would offer the best view of gloATL's season-ending performance of Roem Saturday night. Ushers advised that the dancing would start on the main lawn in front of the museum and work its way back around to the plaza courtyard. People set up their lawn chairs, yoga mats, blankets, etc. to claim what they deemed the most comfortable, strategically chosen spots. But if there's one thing Lauri Stallings and her gloATL dancers have tried to impart on their viewing public from day one, it's active participation.

The show began on the lawn in front of the museum and did so with hardly any notice. For "Prologue: Turf," the statuesque and affecting Toni Doctor Jenkins sprang about solo in the grass. People on the hill above craned their necks searching for the action; some of the crowd slowly began to trickle down for a better view. A break followed Jenkins' slow exit in reverse up the concrete ramp and folks got a little shifty. Should I move back to my spot? Should I stay here? Should I move further in? many of their faces seemed to say.

But as dancers drifted in from around corners, behind trees, and (fearlessly!) across intersections onto the lawn and then launched into the pounding, tribal pulsing of "Blades of Grass," there was no longer any question about where to be.

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An open letter to Harrison Keys

Posted by Jessica Blankenship on Wed, Jul 28, 2010 at 12:17 PM

Harrison Keys...shit, man. Why you gotta play with my heart like this? I went to the opening for your show Pressure Luck at Get This! Gallery last Saturday, all atwitter with anticipation—I’ve much enjoyed most of what I’ve seen you do in the past, and I was hungry for more. This was going to be a juicy feast of tasty art goodness, I just knew it. I even skipped dinner. And then you go and leave me feeling empty.

so have more interesting things.
  • so have more interesting things.
Here’s the thing: your show is not bad. The succinct pieces gave the room an easy rhythm—it felt good to be in the gallery, surrounded by your work. It wasn’t until I started having my little tête-à-tête with each piece that I realized I was surrounded by deceptively-seasoned tofu art; it looks like a burger, but it ain’t. Once you get up close, you realize there’s no meat at all. This, Mr. Keys, made me very sad. I’ll explain.

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Authors admit to the truth at Kavarna tonight

Posted by Wyatt Williams on Wed, Jul 28, 2010 at 8:52 AM

Jason Hartley
  • Jason Hartley
Atlanta's only non-fiction reading series, True Story!, returns to Kavarna tonight with a few talented locals. Jason Hartley, who recently released his first book The Advanced Genius Theory, will enlighten the crowd on the origins of his theory of Advancement. Atlanta magazine's "writer at large" Candice Dyer has written much on southern music and southern food, which should inform her story of a boozy Oktoberfest celebration in north Georgia.

Noted fiction writer and Pushcart Prize nominee Liane Lemaster will also be on hand to tell a memoir-ish tale of family. She's offered this intriguing excerpt from her work:

My grandmother kept the human braid in the bottom drawer of her dresser, wrapped in newspaper, dated June 14th 1926. I found it when I was seven. It was raining. Usually, when I came to visit my family in West Virginia, my mother sat at the Formica table in my grandmother’s kitchen and smoked and complained about the railroad tracks being so close to the house while my father sat in the other room and watched TV until it was time to eat again. Usually, when it didn’t rain, my cousins and I swam, fished, climbed, foraged, got lost in the woods, made tracks for people to find us, climbed, teased dogs, built huts, climbed again, and made up games that were specific and mean—if you can’t make it to the top of the hill then I will slice your head off, if you can’t make it to the next laurel branch then I will slice your head off and eat it, if you can’t make it back to Mamaw’s, then I will slice the heads off of all your family and rub them in gum and stick a spit through them and roast them like a pig, starting now. We loved it because it we were young enough and we felt safe enough to know it would never happen.

But this summer visit, the summer that I found the human hair in the drawer, my cousins weren’t around.

The reading gets started tonight, Wed., July 28, at 8 pm at Kavarna in Decatur.

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5 things today

Posted by Kayla Miller on Wed, Jul 28, 2010 at 7:45 AM

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  • Courtesy Club América

1) Devo rolls through Chastain.
2) The Georgia Dome plays host to Club América vs. Manchester City.
3) Inman Park Dine Out encourages Atlantans to eat out for a good cause.
4) The Dekalb History Center's Lunch and Learn series presents A Brief History of the Lost City of Kirkwood.
5) Harrison Keys' Pressure Luck continues at Get This! Gallery.

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Tuesday, July 27, 2010

Jessica E. Blinkhorn performs at Eyedrum tonight

Posted by Wyatt Williams on Tue, Jul 27, 2010 at 8:30 AM

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Atlanta's Jessica E. Blinkhorn will perform at Eyedrum tonight, after a screening of Grounded by Reality, a short documentary about her daily life as an artist. As an instructor and graduate of Georgia State University and Kennesaw State University, Blinkhorn works in a variety of media from drawing and painting to writing. Some of her work, especially her performance work, is informed and shaped by a degenerative genetic disease that caused her to loose her ability to walk at a young age.

On the eve of her performance at Eyedrum, we caught up with her on the phone just as she was putting some finishing touches on a watercolor.

What can you tell me about your upcoming performance at Eyedrum?
My performance work is different from these watercolors. My visual work is time consuming and tedious. I got into performance as a way to utilize my body as a piece.

The performance is titled "As it is Written," it works as symbolism for my natural deterioration. I’m materializing my own breakdown. When I write, I need have to have something at mid waist level. In this case, I’ll be writing on a vertical wall. As I move around the room, it will become increasingly difficult to write. I know that my hands aren’t going to be able to create forever, I use my performance as a metaphor for that deterioration.

Some people think that I’m trying to make a spectacle out of myself, but I don’t want or desire to be thought of as a spectacle. I’m trying to speak with words that aren’t vocal.

How did the documentary come about?
In October, GSU published a profile on their website about me. At that time, I had been going to GSU for a couple years and during that time I saw this woman around, with a huge head of red hair. I saw her all the time, but I’d never had a chance to talk to her. Then, one day she introduced herself and said she’d read the article about me and when the opportunity came up, her and her partner decided use to me as their subject.

They got the title from a tattoo on my arm. I'm a writer, as well, and it’s a line from one of the pieces I’ve written. I’m really grounded by reality. I have an ego, you have an ego, but being the way I am keeps me grounded.

When did you start making art?
In my family, I was the middle child, I wanted a way to stand out. My sister was the princess, so I would do whatever I could to get attention. When I was three, I would draw on the walls. One day, my mom realized that my drawing skills were way above average, so they started buying me art supplies.

How did that turn into the work that you're producing today?
When I got into KSU and saw the work that people there were producing, I realized I knew nothing. My mentor there, Joe Remillard, I learned all my technique from him. He demanded me to do my best. He never said anything like “That’s good considering...”

Grounded by Reality premieres at Eyedrum tonight, Tues., July 27 at 8 pm. Jessica E. Blinkhorn will perform immediately following the film.

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