Late night talk show host and twittering folk hero Conan O'Brien has announced that, after hosting "Late Night with Conan O'Brien" and "The Tonight Show with Conan O'Brien," his new TBS show will be simply titled "Conan." The clip below reveals his creative process in naming the show and his realization that it will debut in November of this year.
Incidentally, I love his tweet from yesterday: "I may be jumping into this whole Muslim controversy a little late, but really? He's going to call himself Kareem Abdul Jabbar?"
If you're going to have to revisit high school, I would suggest considering someone else's. Preferably fictional. Believe me, it's a lot more fun. And though television's obsession with youth culture, usually fixating on those tricky late-teen years, has produced more than its fair share of schlocky hokum (like the fleeting amusements of "90210" -the original and the new one- "Gossip Girl" and "Popular"), there have also been series with superb writing that tackle difficult themes (such as "Freaks and Geeks" and "Friday Night Lights," arguably two of the greatest series ever made, high school or no).
From among the latter set, I've gathered a few selections to consider (or reconsider) for the rental queue that almost make you wish you were back enjoying those (potentially frightful) times. They're bold, well-conceived ... and just down right fun:


On the latest installment of Running Dialogue: A Podcast About Movies, /Film's Russ Fischer, Collider's Matt Goldberg and Creative Loafing's Curt Holman mark the transition from the summer to fall movie seasons with the fast, schlocky violence of 'Centurion' and 'Machete' vs. the meditative, existential violence of George Clooney's 'The American.' 'Machete' not only inspires a discussion of the best and worst trends of 2010 cinema so far, but prompts the guys to name some of the favorite revenge flicks.
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Yes, this episode marks another defeat for the forces of subtlety in the Mad Men universe, but the show continues to entertain like nobody’s business. This one managed to be laugh-out-loud funny throughout, balanced against unexpected moments of suspense and pathos.
Just because summer is ending, doesn't mean the sequels and remakes are going away. Among the big movies this fall are Oliver Stone's Wall Street: Money Never Sleeps, Tron: Legacy and the Coen Brothers' True Grit - which they emphasize is not a retread of the John Wayne movie, but a fresh adaptation of the original novel. The cineplex will still find room for original stories, but don't be surprised if many of them look a little familiar.
A Woman, A Gun and a Noodle Shop (Sep. 24) The Coens aren't just remaking movies this year, they're being remade, as superb Chinese director Zhang Yimou transplants Joel and Ethan's first film, Blood Simple, from the badlands of Texas to the wilds of the Gansu province. Like the Coens, Zhang Yimou has crafted masterful film noirs such as Ju Duo, but A Woman, a Gun and a Noodle Shop also reportedly includes "cross-dressing, hip-hop dance routines, and outrageous noodle-spinning sequences." I don't remember M. Emmet Walsh or Frances McDormand doing any of that. This trailer plays up the connection to the original film:
Local production company Half Pint Productions is working on doc about Atlanta's, and daresay I, the world's, favorite beer-crushing stripper Blondie. Today, filmmaker Jon Watts sent over a clip from the forthcoming AKA Blondie. In it, the stripper wistfully recalls her first time visiting the Clermont (should the rest of us only be so lucky): "I didn't order a drink...something told me not to." Really? I've had the complete opposite reaction every time I've visited.
The footage is a little rough, but it does include plenty of slow-mo black-and-white shots of Blondie dancing in a netted dress. The film is slated for release next year.
The bio under Harry Shearer's by-line for his Huffington Post column reads like a Tweet: "Just a Guy." A modest understatement. Given his Zelig-esque versatility, and the plethora of projects in which he participates—from voicing a dozen+ characters on "The Simpsons," playing Bass for Spinal Tap and the Folksman, writing a column for Huffington Post, creating LeShow a weekly NPR satire program, producing touring art exhibitions, and (for the first time ever) directing a feature documentary—he thought it best to keep it simple. With Sheraer's documentary, The Big Uneasy, premiering in theatres across the U.S. for One Night Only event on Monday August 30th, the ever modest guy agreed to step into the spotlight to answer a few "Uneasy" questions.

For the past few months, Roche has been working in New Orleans with actor, artist, musician, and satirist Harry Shearer on The Big Uneasy, a feature documentary that exposes engineering failures as the true cause of the Katrina tragedy and how it could have been prevented.
With The Big Uneasy set to screen for one day only on Monday, August 30th at 7:00pm & 9:30pm at the Landmark Midtown Art Cinema, I reached out to Tom to talk politics, docs, music, radio and the importance of the French article "le."
It's getting on that time of year again, not only when leaves fall from the trees, but the tone of movie trailers makes a precipitous drop from light to heavy. With the end of summer the Academy Award contenders start coming out in earnest, so it's like the makers of movie trailers crack open paint cans of Patina of Importance. Some of the following are total Oscar bait, while others simply try to steamroll potential audiences with their gravitas - if you don't see these movies, you're clearly a shallow person. (Incidentally, if you can find a trailer for Clint Eastwood's Hereafter, let me know.)
The Town (Sept. 17) Fans of Gone Baby Gone should note that Ben Affleck directs (cool!) and stars in (hmmm...) this action-thriller about a victim of bank robbery (Rebecca Hall) who finds herself torn between a federal agent (Jon Hamm) and a scruffy tough guy (Affleck) with a connection to a string of high-profile robberies. Said connection is spoiled by the trailer. It looks a little too car-crashy to be a big Oscar movie, but it features Best Actor nominee Jeremy Renner in his first high-profile role since The Hurt Locker.

Now to the good stuff: Sookie's a fairy. "How fucking lame."
Her words, not mine. And while my initial reaction was to agree wholeheartedly, the more I thought about it, the more the idea grew on me. Sookie now has the potential to actually grow into to someone/something complex and interesting. We can hope at least. Her "lyin' ain't right" sermons are dull, dull, dull and lead to that annoying kind of drama most people try to leave in high school. Plus, I don't think we can technically call her a waitress anymore. When was the last time she showed up for a shift anyway? I'm sure Arlene would know.
According to the all-powerful Wikipedia, notions of fairies range from sweetly stubborn Tinkerbells to demonic hobgoblins. While it's likely Sookie skews more Tink than troll, it seems that there are kind of no set rules when it comes to defining a fairy's character, motivations and power. Given that the season finale is Sept. 12, I doubt we'll get too much into what fairy-dom means for her besides making her that much more enticing to vampires. But it could turn out to be pretty awesome to watch her learn to harness her Jedi fairy powers — surely the light palm is only the beginning. She'll need a teacher, of course, and in the grand tradition of "True Blood," let's hope it's a hot new shirtless season 4 man-fairy instead of Claudine.